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Potters of the Yadkin Valley
Stephen C. Compton

Introduction

Pottery collectors exploring North Carolina auctions, estate sales, and antique shops sometimes discover unsigned, lead-glazed earthenware pottery that has a perceived antiquity. Accompanying provenance is rare, and often the first assumption is that, if the vessel is not from Pennsylvania, then it is eighteenth- or early-nineteenth-century Moravian ware from North Carolina’s Bethabara or Salem potteries. However, recent research has shown that some of the earthenware formerly attributed to the Moravians was instead created by potters in Orange (now Alamance) County’s St. Asaph’s District, Quaker potters in Guilford and Randolph counties, Rowan County potters, and by Catawba Valley potters in Lincoln and Catawba counties who preceded that region’s alkaline-glazed stoneware makers.[1]

This article argues that from the second half of the eighteenth century into the early years of the twentieth century, some largely unknown Yadkin Valley potters working in present-day Yadkin, Davie, and Wilkes counties, including Peter Myers, Seth Jones, Jacob Brewbaker, Alexander Hill, and others, may have made nothing but plain and slip-trailed decorated earthenware. More is known about the later work of some of these potters and the vessels they produced in southwestern Virginia, eastern and middle Tennessee, and elsewhere than about their lives and the work they produced during their time in North Carolina.

One key example is the Vestal family potters and others connected to them through marriage and training, who contributed significantly to pottery making in all three states. Some unattributed, or misattributed, earthenware pottery in private and museum collections, and likely more pieces yet to be found, undoubtedly originated in Yadkin Valley kilns run by the Vestal family and other potters working in the region.

This article introduces the names of important potters, identifies and describes two key kiln sites in the Yadkin Valley, demonstrates how to identify pottery produced in the Yadkin Valley, and examines the impact these potters and their work may have had on southwest Virginia and northeast Tennessee’s Great Wagon Road pottery-making tradition and beyond.

The Yadkin Valley

From the late eighteenth through the early twentieth century, North Carolina’s Yadkin-Pee Dee watershed – which encompasses much of the present-day counties of Cabarrus, Davidson, Davie, Forsyth, Randolph, Rowan, and Yadkin – was home to a network of potters, some of whom were connected through kinship and marriage. Most of these potters made earthenware pottery exclusively, and until now, their roles as early American artisans have gone largely unrecognized.

As was true of those who resided in the Cape Fear watershed – an area drained mainly by the Haw and Deep rivers and their tributaries – the Yadkin-Pee Dee watershed’s potters resided mainly in its northernmost counties. The explanation for this settlement pattern may be the same for both locations. The Pee Dee River originates as the Yadkin River in the Appalachian Mountains and the northwestern portion of North Carolina’s Piedmont region, and its water flows 435 miles to Winyah Bay, South Carolina. Waterborne trade along this river easily supplied the lower counties of the watershed but was less effective at outfitting those counties that were nearer the headwaters.[2] As a result, settlers in the northernmost regions relied more heavily on local craftsmen, including potters, to meet their needs.

Within this area, eighteenth-century settlers carved out homesteads, participated in commerce, and built communities in North Carolina’s rugged backcountry.[3] One important early community was Surry County (Figure 1). Created in 1771 from Rowan County, Surry County is situated at the foot of the Blue Ridge Mountains, bounded in the north by Virginia and by North Carolina’s Stokes, Yadkin, Wilkes, and Alleghany counties. Surry’s early history was shaped by the arrival of Quaker settlers, some of whose families had previously established homesteads in counties to the east in the Coastal Plain and Piedmont regions. Nearby Forsyth County, home to the Moravians’ large Wachovia tract and its Bethabara, Bethania, and Salem settlements, was formed from Stokes County through an earlier, larger version of Surry County. North Carolina’s Moravian potters have been well studied, and eight early Rowan County potters and their apprentices have been identified.[4] However, almost nothing is known about the Yadkin River Valley potters who lived and worked between the Moravians in Wachovia and potters active in Salisbury and Rowan County.

Fig. 1 "Geographical, Statistical, and Historical Map of North Carolina" from "A Complete Historical, Chronological, and Geographical American Atlas" (2nd ed) by Fielding Lucas; (Philadelphia: Henry Charles Carey and Isaac Lea, 1823). HOA 42.23cm; WOA 51.75cm. Courtesy of the State Archives of North Carolina and the North Carolina Department of Cultural Resources’ North Carolina Digital Maps Project.

Figure 1

In Fisher’s River (North Carolina) Scenes and Characters (1859), Harden Taliaferro refers to Surry County in the 1820s as a poor man’s country, stating:

There is but little good land in it. All the valuable land lies on the small rivers and creeks, in very narrow bottoms. No rich man will ever be tempted to live there. But notwithstanding their long, cold winters and poor lands, the inhabitants, by hard labor and by the most rigid economy, live well. All extravagance, however, is necessarily excluded, and the people make the greater part of their own apparel, material and all. Money is very scarce, and corrupting fashions seldom reach them.[5]

“Yethen-ware,” he noted, was everywhere, an observation that clearly illustrates earthenware’s importance to Surry County’s pioneer families, who had few material possessions.[6] This sustained demand for locally produced pottery supported multiple generations of potters over the years.

Among Surry County’s early potters were those who lived in and near Huntsville. Established in 1792 and situated near the west bank of the Yadkin River, close to its naturally shallow ford, Huntsville’s potters’ influence extended beyond the Yadkin Valley into North Carolina’s Catawba Valley, eastern and middle Tennessee, southwestern Virginia, and as far northwest as Illinois, Indiana, and Iowa. Of particular importance is the impact some of these potters may have had on the Great Wagon Road pottery tradition in southwestern Virginia and northeastern Tennessee.[7] This broad reach underscores Huntsville’s importance as a center for earthenware production and exchange.

The Town of Huntsville

Few people today have heard of Huntsville, North Carolina, but as two mid-twentieth-century historians noted, a “hundred years ago Huntsville, just west of the Yadkin River on high rolling ground, was a thriving little village that had five general stores, a tobacco factory, two schools, a tavern, and several prosperous plantations” with large enslaved populations.[8] Huntsville was laid out in 1792 following its approval by the North Carolina General Assembly.[9] The town consisted of 111 half-acre lots bounded by streets that measured up to sixty-six feet wide (Figures 2 and 3). The town was strategically located along the path of the Great Wagon Road, a significant colonial and early American transportation route. From Philadelphia, the road ran to and through the Shenandoah Valley into present-day Stokes County, North Carolina, before traversing the Moravians’ Wachovia tract. From there, crossing the Yadkin’s shallow ford, it continued through Huntsville to Salisbury before extensions of the road led to states further south. One offshoot, the Georgia Road, branched off near Huntsville (Figure 4).[10]

Fig. 2 "Plat of a Town at the Shallowford" by Charles Hunt; 1792. Courtesy of the State Archives of North Carolina. This proposal was submitted to the North Carolina General Assembly in 1792 when Salisbury merchant Charles Hunt petitioned for permission to establish the town of Huntsville near an important shallow crossing on the Yadkin River.

Figure 2

Fig. 3 "Platt of Huntsville, Yadkin Co., NC"; from "Heritage of Yadkin County" (Yadkinville, NC: Yadkin County Historical Society, in cooperation with Hunter Publishing Company, Winston-Salem, NC, 1981). Courtesy of the Yadkin County Historical Society. This plan for Huntsville, drawn after 1850, shows more than one hundred lots, each roughly one-half acre in size, and sixty-six-foot-wide streets. Ceramic sherds, including examples of kiln furniture collected in the former town’s location, provide evidence for pottery production there.

Figure 3

Fig. 4 "The Great Wagon Road and Its Offshoots" by Mark Anderson Moore, North Carolina Department of Cultural Resources; from "The Way We Lived in North Carolina," Joe A. Mobley, ed. (Chapel Hill, NC: University of North Carolina Press, 2003). Courtesy of the North Carolina Office of Archives and History.

Figure 4

Enslaved people’s labor contributed to the growth of the town and of several sizeable plantations near Huntsville. Tyre Glen (Tyree Glenn) built a large plantation at Enon along the Yadkin River and, with his partner Isaac Jarratt, actively participated in the slave trade. In 1860, Glenwood plantation encompassed 3,500 acres of Yadkin County land and included twenty-two slave dwellings, and Glen owned more land in Surry, Alleghany, and Stokes counties.[11] One hundred ninety-eight people were enslaved at Glenwood plantation, and Glen held additional enslaved women and men in other counties.[12] Although many of the area’s early residents were Quakers, slavery was a common practice in the area, and Glen’s participation in the slave trade was both supported and mirrored by other people in the region.[13]

Local memories of Huntsville reveal a vibrant community that supported various crafts. Before she died in 1963, Emma Long (ca. 1870-1963), whose father was physician and tavern owner Thomas Long, shared some of her memories and family lore about Huntsville:

Along about 1860, he [Thomas Long] was living in Huntsville again and was the operator of an immense tavern in the town. It had ever-so-many large rooms, and this was where the stagecoach stopped which traveled between Fayetteville and Wilkesboro every few days, and the passengers spent the night. My father also owned a whole drove of slaves which worked his land, and their cottages dotted the land around the plantation.
Then, and in the years that followed, his tavern and the ‘Red Store’ in Huntsville were popular meeting places for the entire surrounding country. Governor Zeb Vance stopped by the tavern, together with other distinguished persons. . . .[14]

As Long’s remembrances suggest, early Huntsville was a central hub of the region. The community had a post office, churches, merchants, wagon makers, blacksmiths, carpenters, masons, plasterers, and potters. With plenty of social activities and community events, Long recalled that “Huntsville was always a place for the people for miles around to congregate.”[15]

Huntsville’s growth and prosperity declined in the 1860s. The end of slavery and the United States’ defeat of the Confederacy in 1865 contributed to the town’s decline and, over time, to its near total disappearance. Seeking new land and even California gold, some residents moved on to western and midwestern locales. Today, little more than the so-called Potter’s Cabin (Figure 5), located on the town’s original Lot 15, offers a hint of the thriving town that once existed there.

Fig. 5 Huntsville’s Chapman-Brewbaker House, also known as the "Potter’s Cabin." Photograph courtesy of the author. The Chapman-Brewbaker House is one of the few extant indications that the town of Huntsville ever existed. The structure appears to be located on Lot 15 which was owned by potter Silas Vestal who had moved to Greene County, TN by 1828 where he made pottery. Reference to the house as the potter’s cabin may be due to its association with a mid-nineteenth century Yadkin County potter named Jacob Brewbaker.

Figure 5

The Potters

Peter Myers, Seth Jones, and members of the Vestal family made pottery in Surry County in the early decades of the nineteenth century. Part of a wave of early Quaker settlers, members of the Vestal family with Quaker roots had moved to Surry County from Chatham County, North Carolina, by 1790 and soon began making pottery there.[16] The Vestals may have been the first family to establish a pottery shop in Huntsville. The Vestals grew into one of the South’s most prolific and influential potting families, with the family producing at least seventeen potters bearing the Vestal name, as well as potters in the Wooton and Harris families who were related to the Vestals through marriage.

In 1850, Surry County was divided into northern and southern districts. The South Division consisted of the land south of the Yadkin River, which ran east to west across the county and south along its eastern border, bifurcating old Surry County into two distinct sections. Yadkin County was formed from Surry County’s South Division in 1850. In the 1850 US Census, the first to list a person’s occupation or trade, several potters of a similar age are listed as working in Surry County’s South Division, which included the town of Huntsville.[17] Potter Simon Bohannon was forty-one, Jacob Brewbaker was forty-six, Erasmus Hill was forty-five, and Thomas B. Naylor was forty; all resided in the vicinity of Huntsville. Potter William Alexander James worked a few miles south of Huntsville in Davie County, which was formed from a portion of Rowan County in 1836. A decade earlier, he lived in Surry County, perhaps in Huntsville, which is where he most likely learned his trade as a potter.[18] At least three generations of the James family extended the Huntsville pottery-making tradition into the first part of the twentieth century. Other nineteenth-century potters, like George A. Fraley, William C. Bird, Alexander Hill, Moses Ritchie, and William McQueen Welch, who later worked elsewhere in North Carolina and other states, also practiced their trade near Huntsville.

Potters

Approximate Working Dates

Peter Myers

1798 – 1810

Seth Jones

1806 – 1810 

The Vestal Family

1800 – 1880

William McQueen Welch

1820 – 1881

The Wooton Family

1820 – 1920

The James Family

1820 – 1939

George A. Fraley

1860 – 1880

Simon Bohannon

1830 – 1869

William C. Bird

1830 – 1859

Thomas Benjamin Naylor

1831 – 1850

Jacob Brewbaker

1830 – 1860

Erasmus Hill

1830 – 1851

Alexander Hill

1834 – 1860

Moses Ritchie

1823 – 1860

Peter Myers

Peter Myers (b. ca. 1747) is identified as a potter and resident of Surry County in a deed written in 1800. This document shows that Myers sold Lot 10 in Huntsville to his wife Mary’s cousin Peter Eaton (b. ca. 1750), a minister, merchant, and land speculator.[19] Myers had purchased this property from Charles Hunt two years earlier on 14 December 1798.[20] Like most Huntsville lots, Lot 10 measured six by twelve poles (roughly 99′ x 198′), creating an area of seventy-two square poles (about half an acre).[21] If Myers set up and operated a pottery on Lot 10, it would have been for such a brief period (1798-1800) that the quantity of wares produced there would have been small.

While it is possible that Myers operated a pottery shop for a short period on Lot 10, it is more likely that his pottery operation was located outside of Huntsville, elsewhere in Surry County. One possible clue to the location of his pottery shop is a Surry County land entry by Abraham Creason from 1778 that describes his property’s location as being on the north side of the north fork of Deep Creek adjoining Jacob Feree and John Williams, including “the improvement whereon Peter Myers now lives for complement.”[22] In 1784 the State of North Carolina granted Peter Myers 160 acres on the north side of the north fork of Deep Creek. In addition to those lands, in 1779, he received a state grant for 350 acres on the east branch of Crooked Run Creek, which ran through a section of Surry County that became Stokes County after its formation in 1789. By 1800, Myers had sold all the property he is known to have owned except for one hundred acres of his 350-acre Stokes County Crooked Run tract.[23]

While the precise location of his pottery shop is still unknown, a Surry County bill of sale (Figure 6), dated 17 March 1800 and entered into court on 9 February 1802, from “Peter Myers (Potter) to Charles Hunt” further confirms Myers occupation as a potter.[24] Curiously, in this bill of sale, Myers sold Hunt some household furnishings along with “one potters glazing mill, [and] two potters turning wheels.”[25] It is unclear why Peter Myers sold some of his tools to Hunt; however, the fact that he was still identified as a potter when the sale was proved in court in 1802 suggests he had not abandoned the trade at the time of the sale. Myers appears in the 1810 census but not in the 1820 enumeration, suggesting that he died between those years.

Fig. 6 Bill of sale from Peter Myers to Charles Hunt; "Surry County Inventories and Accounts of Sales, 1784-1809," 155, microfilm NC.C/S.7/MFm.3. MESDA Research Center, Winston-Salem, NC.

Figure 6

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Seth Jones

A court order dated 13 February 1806 confirms that Seth Jones was an active potter in Surry County, North Carolina. The document details the apprenticeship of sixteen-year-old Thomas Dillard, who was apprenticed to Jones “until he arrives to 21 years to learn the art & mystery of a Potter.”[26] The location of Jones’ residence in 1810 suggests that he lived near Huntsville, a conclusion supported by his presence in witnessing a deed in 1808, in which William and Sarah Howard conveyed two acres to the trustees of the Methodist Society to erect a “house or place of worship.” This small tract was the site for Huntsville’s Mt. Sinai Methodist Church.[27]

While Jones’ family lineage is not yet fully understood, some Jones family historians have identified a Welshman named Zachariah Jones (ca. 1735-1789) as likely being Seth’s father by his second wife, Sadie Vance, who had three sons named Seth, Jesse, and Robert.[28] Zachariah Jones left a bed and furniture for his granddaughter, Bersheba Jones in his will.[29] In 1817, a North Carolina resident named Zachariah Jones served as a bondsman for the marriage of Bethsheba (also spelled Bersheba and Bershaba in records) Jones to potter Silas Vestal.[30] Though inconclusive, this evidence suggests that Seth Jones may have had ties to Zachariah Jones’ family and may have known or worked for Vestal family potters.

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The Vestal Family

Few American families rival the Vestals in terms of the sheer number of people from a single family who practiced the pottery trade. The family’s first potters most likely learned the trade from Quaker potters who established shops in North Carolina’s Piedmont region in the second half of the eighteenth century. Over the course of the eighteenth and nineteenth centuries, the family gave rise to nearly two dozen potters bearing the Vestal name, and through marriage, they are connected to many other potting families, including members of the Harris, Wooton, Naylor, and Brower families (Figure 7). The Vestal family can be traced through several key lineages, each of which significantly influenced pottery production well beyond the Yadkin Valley.

Fig. 7 Vestal family tree with potters indicated in blue. Graphic courtesy of the author. Jesse Vestal’s sons Silas and Messer Amos were potters in Huntsville before moving to Tennessee, where they continued to make pottery. An inveterate traveler, Jesse Vestal may have also worked in the trade while living in the Yadkin County-Davie County area.

Figure 7

William and Elizabeth Messer Vestal’s Descendants

The first generation of North Carolina Vestals moved to Orange County in 1751 following the death of William Vestal Jr., a Frederick County, Virginia, iron bloomery operator.[31] Following William’s death in 1745, John Vestal took over his father’s share of the bloomery partnership and remained in Virginia. Moving south, William Vestal Jr.’s widow, Elizabeth, arrived in North Carolina in 1751 and settled on a Granville land grant tract located on the waters of the Rocky River with four of her sons, James, Thomas Curran, William III, and David Anthony, and her two daughters, Mary and Jemima.[32]

The Line of James Vestal Sr. (1730-1793)

James Vestal’s mother, Elizabeth, and his brothers William III and Thomas were received by the Quaker Cane Creek Monthly Meeting on 1 February 1751 by transfer from the Hopewell Monthly Meeting. While his mother and siblings were openly accepted into North Carolina’s Society of Friends, James had trouble complying with some of the rules. By December 1751, a complaint had been lodged with the Cane Creek Monthly Meeting against James Vestal for marrying outside the Society of Friends and drinking excessively.[33] That year, he married Mary Jay.[34] He later moved to Surry County and died there in 1793.

His son James Jr. (b.1767) may have been a potter since his sons Jay (b. 1808) and James Thomas (b. 1810) were potters. James Jr.’s daughter Sarah married potter Thomas B. Naylor, and his daughter Frances married potter John “Jehu” Wooton. John and Frances Wooton were the progenitors of seven known Wooton potters.

Jay Vestal reportedly worked as a potter in Washington County, Virginia, and Greene County, Tennessee.[35] Jay’s son Simon Sanford (b. 1830) was a potter, and Jay’s daughter Nancy married potter Alexander McEwen Harris. Their son Samuel J. Harris (b. 1853) was a potter.

Jay’s brother James Thomas was a potter working in Washington County, Virginia, where records from 1850 note that he had three men working in his pottery shop.[36] His son Jessee Vestal (b. 1828), the father of potter James Thomas (b. 1858), is well known for his flamboyantly autographed vessels, including a signed jug with a poem that reads:

long and lazy
little and loud
fair and foolish
dark and proud
a splendee branda jug
this is the 20th day of May 1849[37]

 The Line of Thomas Curran Vestal (1727-1813)

Another significant line of Vestal potters began with William and Elizabeth Messer Vestal’s son Thomas Curran Vestal, who married Elizabeth Davis. Thomas and Elizabeth declared their intent to marry on 7 September 1754 before the Cane Creek Monthly Meeting and remained residents of Chatham County throughout their lives.[38] Thomas was a founding member of Guilford County’s New Garden Monthly Meeting, which was formed in 1754. His fellow New Garden members included Beesons, Mendenhalls, Hiatts, Hoggatts, and the brothers, Nathan, Zachariah, and Peter Dicks – all families associated with pottery manufacture.[39] If no Vestals were potters by this time, this was the opportune occasion for at least one, perhaps his son Jesse (b. 1772), to acquire the requisite skills for earthenware manufacture.

Jesse Vestal (1772-1855)

Thomas Curran and Elizabeth Davis Vestal’s son Jesse had at least three sons who became potters: Silas (b. 1799), Messer Amos (b. 1812), and Tilman A. (b. 1816). Another son, William (b. 1806), may have worked with his brother, Silas Vestal, in Greene County, Tennessee. Jesse may have established the Huntsville pottery shop that was supervised by his son Silas. Jesse’s wife, Sophia McDonald, died sometime after the birth of their son Tilman (b. ca. 1816). According to his son Asa, Jesse never remarried and spent the remainder of his life traveling from place to place.[40] Some evidence suggests that Jesse was associated with the Cain Pottery in Sullivan County, Tennessee, and may have traveled extensively as a journeyman potter for many years.[41] In 1840, Jesse Vestal lived alone in Davie County at a site south of Huntsville.[42] A decade later, in 1850, the seventy-seven-year-old Jesse resided in Surry County with his son Messer Amos Vestal, who at that time was listed as a merchant with real estate valued at $1,700.[43] Asa Vestal recorded that his father, Jesse, died in Chatham County in 1855 at age eighty-two.[44]

Silas Vestal (b. ca. 1799)

Silas Vestal, the eldest son of Jesse and Sophia McDonald Vestal and grandson of Thomas Curran and Elizabeth Davis Vestal, was working as a potter in Huntsville before relocating to Tennessee. Evidence of his occupation appears in the 1820 census, which records four people in his Huntsville household as mechanics.[45] This term was commonly used to identify artisans, handicraftsmen, and others engaged in skilled labor. Given his age, one of the men identified as a mechanic was Silas. Further confirmation comes from the diary of Huntsville potter William McQueen Welch, who recorded that he learned the pottery trade from Silas Vestal before moving to Wilkes County, North Carolina, in 1821 (see William McQueen Welch below).[46] Taken together, these records suggest that Vestal’s designation as a mechanic in 1820 referred specifically to his work as a potter.

Silas Vestal married Bethsheba Jones in Surry County, North Carolina, in 1817.[47] The following year, he purchased Lot 15 in Huntsville from Peter Clingman.[48] Lot 15 bordered High Street and appears to be the present-day site of the Chapman-Brewbaker log cabin (the Potter’s Cabin). Records indicate that by 1822, Silas owned two lots in Huntsville, acquiring the additional Lot 9 from William W. Chaffin.[49] Lot 9, situated on the corner of High and Pine streets, was just steps away from Vestal’s Lot 15 and was located adjacent to Lot 10, which was owned by potter Peter Myers between 1798 and 1800. In addition to his two lots in the town, in 1824, Silas Vestal owned 15 ½ acres adjoining Peter Clingman.[50] In 1825, the acreage was listed as having increased to 20 ½ acres.[51] It is possible that one of these properties was the site of his pottery operation. Lot 15 may hold particular significance because evidence of a pottery shop has been found nearby, including plain lead-glazed earthenware sherds, slip-trailed decorated wares, stub-stemmed smoking pipes, bricks, and kiln furniture. This evidence strongly suggests that Silas Vestal was an accomplished potter before departing Surry County for Tennessee.

Around 1825, Silas Vestal relocated to Greene County, Tennessee, and established a pottery there. In 1828, he purchased a ¾-acre site in Greene County, Tennessee, from potter William Stanley.[52] The high price paid for this small lot suggests that a pottery operation, or another significant improvement, may have already been located on the lot.[53] Further supporting the claim that the high price for this lot was because of its pottery operation, in 1830, Silas Vestal’s Greene County neighbors included John Harmon Sr., John Harmon Jr., Isaac Harmon, and Peter Harmon, who were all members of a prominent Tennessee pottery-making family.

In 1830, Silas Vestal’s household in Tennessee included an enslaved couple, whose ages were listed in census records as being between twenty-four and thirty-five, and their three children, all of whom were under the age of ten.[54] In his will, written in 1833, Silas Vestal declared that “slavery is inconsistent with justice” and made it his wish that Abraham and Sophia, and their now four children, Mahala, Margaret Ann, Henry, and Nervy, be freed following his death according to law.[55]

At the time of his death, Silas Vestal’s estate included “tools, a lead oven, and clay.”[56] His widow, Priscilla Ward Vestal, whom he married in 1826 after the death of his first wife, purchased much of his pottery-related equipment.[57] Silas’ sons, Isaac (b. 1822) and Caswell (b. 1826), are listed as potters in the 1850 census for Greene County, Tennessee, with William Stanley, who was likely a potter, living nearby.[58]

Messer Amos Vestal (1812-1886)

Jesse and Sophia McDonald Vestal’s son Messer Amos Vestal was an active Huntsville area resident, merchant, justice of the peace, and potter. On 9 February 1833, he married Rhoda Mendenhall, the daughter of Richard Mendenhall, a prominent Quaker and potter of Jamestown, Guilford County, North Carolina.[59] Messer Amos Vestal, and perhaps his father Jesse, may have worked as potters with Richard in Jamestown. This is supported by evidence of a kiln site near the Mendenhall plantation house in Jamestown, where at least one earthenware sherd (Figure 8) found at the site bears a partial inscription of the name Vestal, which could have been signed by either Jesse or Messer.[60]

Fig. 8 Earthenware sherd partially inscribed with the name Vestal; Jamestown, Guilford County, NC; ca. nineteenth century. Photograph courtesy of Hal E. Pugh. The sherd was surface collected from an unexcavated pottery production site in Jamestown, Guilford County, NC. The Mendenhall plantation house is located nearby where prominent Quaker resident and trained potter, Richard Mendenhall, resided. Mendenhall's daughter Rhoda married potter Messer Vestal.

Figure 8

Messer Amos and Rhoda moved to Surry County in 1835 and then to Maury County, Tennessee, around 1859.[61] Despite his considerable real estate possessions in 1850, Messer Amos Vestal’s apparent financial well-being did not last.[62] Possibly trying to get ahead of his financial troubles, on 10 April 1857 Messer sold Huntsville lots 5 and 22 to Thomas S. Martin.[63] However, by 19 December 1857, Samuel C. Welch and a long list of creditors filed a deed of trust securing Messer Amos Vestal’s indebtedness; he was given ten days to settle his accounts with lenders and creditors.[64] Having failed to satisfy his debts, all his real and personal property, previously offered as security, was put up for sale by trustee Samuel C. Welch on 15 January 1858. Slave trader Joseph A. Bitting was the winning bidder. George C. Mendenhall, Rhoda’s uncle, witnessed the deed conveying the Vestals’ property to Joseph Bitting.[65] Included in the sale were three tracts of land, including Messer Vestal’s residence. This eighty-eight-acre tract was in Yadkin County on the waters of Turners Creek, bordering land owned by Martin, Bitting, and Bohannon. Another fifty-seven-acre tract was situated near his residence on the road near the Methodist Mt. Sinai Meeting House. This land also bordered an “old field at the dividing corner with [potter] Moses Ritchie’s” land.[66] A third tract owned by Messer Amos Vestal, containing 24 ¾ acres, adjoined his second parcel and was bordered by the properties of Abraham Pruett and Sarah Dalton, the sister of potter William C. Bird. Vestal acquired the land in 1842 from the estate of Nathan Chaffin.[67]

While he mismanaged his finances, evidence unquestionably points to the fact that Messer Amos Vestal worked as a Yadkin County potter. In addition to his land and many personal property items, which were put into trust in 1857, Messer Amos Vestal’s possessions included “all the unburnt Potters wares on hand Supposed to be worth about $90.”[68] The presence of “unburnt” pottery among his possessions may have resulted from selling his pottery shop and kiln before the completion of the wares. It is unknown if his operation was located on one of his Huntsville lots or elsewhere on one of his nearby properties.

Excellent sleuthing by Hal Pugh and Eleanor Minnock-Pugh uncovered a letter from one of Messer Amos Vestal’s sons in which he identifies his father as a potter, further supporting the claim that he worked as a potter in Yadkin County.[69] Like his father, letter writer Tilghman Ross Vestal (b. 1844) worked as a potter, evidence of which emerged from documents relating to his conscription to serve in the Confederate Army. A Quaker, Tilghman Ross refused service and declined to pay the allowed $500 exemption fee due to his belief that to do so would aid in the war, which he opposed. As a result, he was imprisoned and tortured.[70] Impassioned pleading by some of his relatives led to his conditional release in 1864 to be “bound to work at the potter’s trade” for Quaker potter David Parr in Richmond, Virginia.[71] M. A. (Messer Amos) Vestal is listed as a potter in the 1870 census of Maury County, Tennessee. His household included the twenty-seven-year-old Tilghman Ross Vestal, who at that time identified himself as a teacher.[72]

Tilman A. Vestal (b. 1816)

Jesse and Sophia Vestal’s son Tilman A. Vestal was listed as a “stoneware manufacturer” in the 1870 census for Lauderdale County, Mississippi.[73] In 1880, he was referred to as a “wear maker.”[74] His son George Cyrus Vestal (b. 1851) is listed as a potter in the same census and likely worked alongside his father, Tilman.[75]

Furthering the Vestal pottery-making lineage, Tilman A.’s sister, Elizabeth, married Joshua Barker.[76] Their son, Samuel Vestal Barker (b. 1814), was a Guilford County potter. He married Elizabeth Caroline Jerrell, the sister of North Carolina potter Noah Cude Jerrell.[77] However, not all of Jesse Vestal’s children pursued pottery. Asa Vestal remained in Huntsville following his brother Silas’ move to Tennessee, working as a slave patroller during the 1820s.[78] By 1840, Asa had also left Surry County, moving first to Jackson, Missouri, and then around 1849 to San Jose in Santa Clara County, California, perhaps with hopes of finding gold. No evidence has been found to indicate he was a potter.

William Vestal’s (b. 1759) Descendants

Several descendants of William Vestal, son of Thomas Curran and Elizabeth Davis Vestal, were involved in the pottery trade. Wiley Vestal, William’s second great-grandson, lived with his cousin Messer Amos and his wife Rhoda Vestal in Maury County, Tennessee, in 1880 and may have worked in the Vestal pottery shop.[79] Wiley’s father, laborer George Washington Vestal, is listed immediately after Messer Amos Vestal in the 1880 census for Maury County, suggesting that he, too, may have been engaged in the pottery’s operation.[80]

Two additional descendants of William Vestal also worked as potters – his grandson John A. Vestal (b. 1818) and great-grandson Henry T. Vestal (b. 1838). John A. Vestal was the son of Thomas Vestal (b. 1791) and Mary Magdalene Brower.[81] He married Elizabeth Johnson in Chatham County in 1837.[82] His contemporary and first cousin, Alfred Moore Brower (b.1821), was also a potter and was most likely trained by the Fox family of potters. Brower’s sons, John Franklin (b. 1844) and James David Brower (b. 1851), both continued their father’s pottery-making tradition.[83]

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William McQueen Welch

William McQueen Welch (1800-1881) (Figure 9), whose father was Huntsville’s John Welch and whose grandfather, David Welch, was one of Huntsville’s early residents, learned the pottery trade from Silas Vestal.[84] An account written by William Welch in 1876 describes his early life in North Carolina and his later travels. In this account he noted that “William Welch, the son of John Welch and Isabel McQueen, his wife who was a Scotch lady, was born January 1 1800 in a small village, Huntsville then Surry County, North Carolina. 3/4 of a mile West of the shallowford on the Yadkin River. In this village under Silas West [Vestal], as the Superintendent of pottery learned the trade.”[85]

Fig. 9 William Welch; from "Souvenir History of Pella, Iowa, 1847-1922" (Pella, Iowa: The Booster Press, 1922). Welch was trained in Huntsville by Silas Vestal before journeying to the Midwest, where he continued making pottery.

Figure 9

Welch’s personal records note that he left Huntsville in 1821 for Wilkes County, North Carolina, where he established his first pottery near the Reddies River, a tributary of the Yadkin River.[86] While in Wilkes County, he married Elizabeth Judd on 29 May 1823.[87] Welch wrote a diary account describing his decision to leave North Carolina for Indiana in 1829:

I made a small farm and made a good living. But not learned in the ways of the world yet and trying to help or drag up everybody, I stood security and had to pay which took all my farm and some of my property to pay off the debt, which left me strapped, except a wagon, and three horses. This left me ready to emigrate to some new world or place for a new start. In the fall of 1829 I rolled out and landed in Richmond, Indiana.[88]

From Indiana, Welch moved to Mackinaw, Tazewell County, Illinois, where he recalled, “All of us liked to have starved to death.”[89] Driven away by the Black Hawk War, he and his family moved to Morgan County, Illinois, where they lived until 1836, when they once again set off for the Wisconsin Territory (later Iowa). In Van Buren County, a mile below Bonaparte, Welch set up the first pottery in the region. After that, his seemingly endless travels led him to Fairfield in Jefferson County, Iowa, where he set up another pottery shop. Welch’s next stop was Marion County, near Pella, Iowa, where he made stoneware (Figure 10). After selling his farm and the pottery he set up there, Welch made his final move to Coalport, where he established his last pottery.[90]

Fig. 10 Storage jar by William Welch; probably Pella, Iowa; ca. 1870. Salt-glazed stoneware; HOA 13 1/2". Private collection. Photo courtesy of David Alan Jones.

Figure 10

Excavations show that Welch’s Coalport kiln was “a circular to ovate dome-shaped building with several smoke stacks 1 ½ feet high and dimensions of 14 feet wide and 24 feet long,” and its fire boxes were “2 feet wide and 2 ½ feet deep.”[91] Welch’s Coalport kiln may have resembled those he encountered during his time in North Carolina or others he saw elsewhere in his travels.

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The Wooton Family

The Vestal family was a dominant force in early southern pottery traditions, and their reach extended beyond the immediate family. In the 1830s, the Vestal legacy made its way to Washington County, Virginia, where John Wooton, formerly of Surry County, North Carolina, established a pottery.[92] In 1820, John Wooton (aka Jehu T. Wooten; b. ca. 1803 in Iredell Co., North Carolina) married Frances Vestal, James Vestal Jr.’s daughter.[93] It seems likely that John learned the trade from the Vestals. Following Frances’ death, John married Mary Jane Harris in 1865, and on their marriage record, he identified his parents as Thomas and Elizabeth Wooton and listed his occupation as a potter.[94] In 1810, John’s father, Thomas Wooton, resided a few houses away from Neal Bohannon and James Vestal Jr., placing the three pottery-related families geographically near one another in old Surry County at a very early period.[95]

Census records indicate that John and Frances Wooton moved to Virginia in the early 1830s. In the 1830 census, John and his household are still listed as residing in Surry County, North Carolina; however, in 1850, his seventeen-year-old daughter Nancy was recorded as being born in Virginia, indicating the family moved to Virginia between 1830 and 1833.[96] The 1840 census for Washington County records that one person in John Wooton’s household was “employed in manufactures and trades,” which suggests that he was working as a potter soon after he arrived in Virginia.[97] By the 1850 census, his occupation is listed as a potter.[98] His son, James Wooton (b. 1828), aged twenty-two, born in North Carolina, is likewise called a potter and lived in the household next to his father’s with his wife Charity Harris Vestal and their two children.[99] John Wooton’s second son, John T. Wooton (b. ca. 1840), was a potter, as was his son, Thomas C. Wooton (b. ca. 1870).[100]

At least three of James and Charity Wooton’s sons were potters or pottery workers: James Alexander (b. ca. 1851), Jehu Raymond (b. 1851), and William T. (b. ca. 1866).[101] In 1880, James Alexander was a thirty-year-old potter in Washington County, Virginia; his fourteen-year-old brother William T. Wooton resided in his household and was listed as a pottery worker.[102] Records suggest that James Alexander’s son, Josephus J. Wooton (b. ca. 1874), also joined the family pottery business.[103] In 1880, James’ brother, Jehu Raymond, a farm laborer at the time, lived nearby. Other potters in the region included John B. McGee, his son Fred H. McGee, Sam Harris, and J. M. Barlow.[104] In the last years of his life, Jehu Raymond Wooton resided in Hamburg, Iowa, where the 1920 census lists him as a potter.[105]

In addition to the ties by marriage between the Wootons and the Vestals, the families also intersected in commercial ways, forming a large network of potters. In 1850, Nancy M. ‘Ann’ Vestal (daughter of Surry County-born potter Jay Vestal [b. ca. 1808] and Hannah Johnson and granddaughter of James Vestal Jr.) married Alexander McEwen Harris (b. 25 February 1825).[106] Harris was a potter who, along with his son Samuel Jay Harris (b. 8 May 1853), probably worked in the Wooton Pottery. Nancy Vestal Harris’ brother, Simon Sanford Vestal, was also a potter.[107] Simon Sanford was born in Virginia about 1830 and, in 1860, was recorded as being a Washington County, Virginia, potter. Twenty-year-old potter J. T. Wooton lived next to him at the time.[108]

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The James Family

In his 1901 Masonic picnic address, David Moffatt Furches, chief justice of the North Carolina Supreme Court, recalled the wave of migration that reshaped Rowan County (later Davie County) around 1800. Families from Currituck County — including the Brickhouses, Ferebees, Brocks, Taylors, and others — settled near Farmington (Figure 11), a region still remembered in his youth as “Little Currituck.”[109] Among the arriving families were the Jameses, who were of purported Welsh descent and had migrated from Bucks County, Pennsylvania, through Currituck before establishing themselves in Rowan County. Their community, known as Jamestown, lay just north of Farmington and a few miles south of Huntsville.[110]

Fig. 11 Farmington, N.C.; early twentieth century. Photograph. Image courtesy of John Graham Williard. In the nineteenth century, Farmington, in Davie County, North Carolina, was a bustling town with tobacco factories and shops like George Wesley Johnson’s 1837 brick store seen here. Following Johnson’s bankruptcy, an entrepreneurial Bill James and his son-in-law, Galenus Graham, purchased the store and other Johnson properties from bank trustees. James family potteries were located a few miles north of Farmington on the road to Huntsville.

Figure 11

Samuel James (1760–1848) appears in the 1810 and 1830 Rowan County censuses with his wife, Elizabeth Cornell.[111] Their son Cornell James (1790s–c.1840) married Nancy Brickhouse in 1812 and initially settled near Farmington on Huntsville Road.[112] Census records show that by 1820 Cornell had moved to Surry County (later Yadkin County), likely in the Huntsville area, where he was “engaged in manufactures,” a designation that may indicate pottery production.[113] He later returned to Rowan County, but his life ended violently in Huntsville before 1840. According to his grandson William Franklin James, he was killed while carousing with friends when one of them hit him in the head with a rock.[114] A widowed Nancy James was head of household in Davie County in 1840.[115]

Cornell and Nancy’s son, William Alexander James (b. ca. 1819), was involved in the pottery trade.[116] His son, William Franklin James, recalled that his father, William Alexander, learned to make pottery sometime between 1830 and 1840, although who taught him the trade remains unknown.[117] If he was not trained by his father, Cornell James, he was most likely tutored by one of several potters active in and around Huntsville between 1830 and 1840. For example, in 1840, potters Erasmus Hill and Jacob Brewbaker were “employed in manufacture and trade” and either could have trained him.[118] In 1870, William Alexander identified himself as a potter living in Davie County’s Farmington Township, but by 1880, widowed and living with his son Julius, he described himself as a “huckster,” suggesting he had abandoned the craft.[119]

William Alexander’s son, John Henry James (b. 1847) worked, at least briefly, in the pottery trade before turning to mercantile pursuits.[120] While little is known about John Henry, much more is known about William Franklin James (1851–1939), the third-born son of William Alexander and Mary Sizemore James. William Franklin’s commitment to the craft ensured that the James family pottery legacy persisted into the twentieth century.

Known colloquially as “Potter Bill,” William Franklin James was remembered as much for his large personality as for his craft. Locals recalled the great pride he took in his horses, his lively presence at social functions, and his, at times, troublesome courtships.[121] When she was interviewed in 1995, ninety-year-old Davie County resident Bertice Smith said, “He [Bill] must have been a widower. He went to box suppers and picked out somebody he liked. One time he got in my box and said, ‘When it’s time to go home, I have my chauffeur out here and I’ll take you home.’ He got to be a bother.”[122] On another occasion, Bill was horse-whipped by some men for annoying a school teacher.[123] Potter Bill’s granddaughter wrote in explanation that “Being a foolish old widower, he was enticed to attend all functions where he would spend his money, and the said school marm accepted a string of pearls from him, a fact which I suppose he thought gave him the privilege to ‘annoy’ her.”[124]

Beyond his colorful character, Bill was celebrated and remembered in the community for his pottery production. He claimed to have learned the trade from his father; however, other accounts provide conflicting information about who actually trained him.[125] Bertice Smith claimed that a Moravian potter taught William Franklin James, while others referred to him as the “last Moravian potter,” further supporting that claim.[126] While William James’ claim that his father taught him the craft refutes this notion, accounts like Bertice Smith’s often possess a kernel of truth and should not be wholly discounted. It is plausible that William, already trained by his father, also gained experience in Salem as a journeyman potter with either Heinrich Schaffner (1798-1877) or Daniel T. Krause (1836-1903), whose shops remained active in the late nineteenth century (Figure 12). However, James’ updraft kiln, seen in Figure 13, differs from the Schaffner-Krause cross-draft kiln. If he did work as a journeyman in Salem, he evidently did not adopt its form upon returning to Davie County.

Fig. 12 Lot 81 by photographer E.F. Small; Salem, NC; 1882. Albumen print; HOA 5 1/8”; WOA 7 3/8”. Collection of Old Salem Museums & Gardens, Acc. 4241.235. The building to the left in this photograph once housed men from Bethabara and Bethania who came to construct the Moravians’ central town of Salem. Later, it became a pottery shop for Heinrich Schaffner and Daniel Krause. Note the ceramic pots sitting on wooden planks. Family lore says that Davie County’s William Franklin James was a Moravian potter. Records indicate that he was not Moravian, but he perhaps worked here as a journeyman potter as his pottery is frequently misidentified as Moravian-made.

Figure 12

The James pottery site was located at Jamestown, an unincorporated area north of Farmington, along the road to Huntsville where the James families lived. Bill James and his grandson, James Ray Graham (1912-1985), made molded, stub-stemmed pipeheads on the site.[127] Many were sold to the R. J. Reynolds Tobacco Company to be included with pouches of smoking tobacco.[128] Farmington resident J. D. Furches (b. 1922) recalled that as a youth, he had set clay pots from the pottery on fence posts and shot them with a slingshot.[129] Another local resident, Ed Johnson, remembered picking up broken pipe fragments from around the old kiln.[130]

Oral tradition describes the kiln as tall, made of brick or stone, with a cave-like pit near the kiln that ran underneath the roadbed adjacent to the pottery.[131] A surviving photograph of William F. James (Figure 13) standing beside his kiln confirms its exterior was built of stone. From its appearance in the photograph and from recollections of those who saw it, the kiln was most likely a square or rectangular updraft-type kiln, perhaps similar to those used by some Quaker potters in Randolph and Guilford counties. Figure 14 illustrates a cross-section of how a Guilford County kiln operated by David Hockett might have looked, which may well represent the basic design of the James kiln.[132]

Fig. 13 "Grandpa Potter Bill James"; early twentieth century. Photograph. Image courtesy of John Graham Williard. William Franklin James, or Potter Bill by those who knew him, stands by his pottery kiln. Originally located along Farmington Road, the furnace appears to be an updraft furnace built of stone. Since Potter Bill was trained by his father, who seems to have learned the trade in Huntsville, the kilns used by the Jameses may have been similarly constructed.

Figure 13

Fig. 14 Cross-section plan for an updraft kiln similar to the one used by William F. James. Illustration courtesy of Hal E. Pugh. The kiln’s heat would have adequately fired lead-glazed earthenware, the only product James is known to have produced.

Figure 14

Some earthenware kilns used by potters in Greene County, Tennessee, may have resembled the James kiln. A kiln used by the Click family was described as “built round like an Eskimo hut with one door and a small hole in the top.”[133] The kiln utilized by William Thomas Bohannon, the son of Simon Bohannon, who produced wares in the vicinity of Huntsville, in Surry County, North Carolina, and Greene County, Tennessee, was described by his son John Bohannon as being “an air tight building shaped like an Eskimo snow house with one door.”[134] These kilns most likely functioned as updraft kilns.

James likely got his clay from two sources – one on the backside of a dairy farm located on the west side of the road that runs from Farmington to Huntsville, and the other along Turners Creek, a tributary of the Yadkin River, north of the pottery site. Farmington resident Wilburn Spillman described this clay pit as “a hole as large as a barn.”[135] This pit may have been a clay source for other potteries near Huntsville and Farmington.[136] Spillman also noted that Bill James had several wagons that he used to sell his wares “all over the state.”[137] A man named Alonzo Langley, who was the great-grandson of Huntsville-area potter Jacob Brewbaker Jr., rode with him on his trips.[138] Although it is unlikely that the wagoners traveled too far from Davie County, signed pottery from the James kiln, such as a lidded and painted sugar jar (Figures 15-16) found near Fancy Gap, Virginia, attests to the far-flung disbursement of the wares.

Fig. 15 Lidded jar by William Franklin James; Farmington, Davie County, NC; ca. 1870-1939. Unglazed, cold-painted earthenware; HOA 6 1/4˝. Author’s collection. Photograph by the author. Perhaps for economic reasons, much of James’ pottery is painted rather than glazed.

Figure 15

Fig. 16 Base of the lidded jar in Figure 15; Signed “W. F. James/Farmington/N.C.” Photograph by the author.

Figure 16

At a time when most potters in North Carolina had shifted from earthenware to stoneware production, Bill James continued to produce earthenware pottery. His lead-based glazes appear to be tinted with iron or manganese or no colorant, which produced a clear glaze. Examples attributed to him (Figures 17-20) demonstrate a sparing, primarily utilitarian purpose for his use of glaze.

Fig. 17 Cup and bottle attributed to William F. James; Farmington, Davie County, NC; ca. 1870-1939. Unglazed earthenware; HOA 3 1/2˝ (cup); HOA 6 3/4˝ (bottle). Author’s collection. Photograph by the author. James’ ware is often thick-walled, with handles distinctively attached to the vessels’ rims. The bottle bears paint residue.

Figure 17

Fig. 18 Large pitcher, small pitcher, and crock attributed to William F. James; Farmington, Davie County, NC; ca. 1870-1939. Lead-glazed and bisque-fired earthenware; HOA 9˝ (lg. pitcher); HOA 3˝ (sm. Pitcher); HOA 7 1/2˝ (crock). Author’s collection. Photograph by the author. The small unglazed pitcher holds a note indicating that it was purchased at the James Pottery, Farmington, N.C.

Figure 18

Fig. 19 Tapered jar and three-handled jar attributed to William F. James; Farmington, Davie County, NC; ca. 1870-1939. Lead-glazed earthenware (interior only); HOA 9˝ (tapered jar); HOA 4 1/2˝ (three-handled jar). Author’s collection. Photograph by the author.

Figure 19

Fig. 20 Wall pocket and ring-handled jar attributed to William F. James; Farmington, Davie County, NC; ca. 1870-1939. Lead-glazed earthenware; paint; HOA 5 1/4˝ (wall pocket); HOA 9 1/4˝ (jar). Author’s collection. Photograph by the author. James was unusually generous with the glaze when finishing the ring-handled jar, which is glazed inside and out.

Figure 20

It is likely that Bill James’ work and wares made by his brother John Henry James resemble the work of their father, William Alexander James, and possibly that of the master potter from whom he learned the trade. If not by Bill James, the large jar in Figure 21 is likely the product of his father or another turner in the Huntsville area. The vessels (Figure 22) with handles that are directly attached to the rims, examples of which are found in the Yadkin-Davie County region, may represent a distinctive characteristic of the James family’s work. Unlike most North Carolina strap handles, which tend to be shaped like a comma and are attached below the rims of jars and other wares, James’ handles (Figure 23) are directly attached to the rims of his vessels, extending from the rim before turning down to connect to the side of the piece. This technique serves as a signature of Bill James’ work and is an essential diagnostic trait in identifying his pottery.[139]

Fig. 21 Large storage jar attributed to either William F. James, William Alexander James, Cornell James, or another Huntsville area potter; Yadkin or Davie County, NC; nineteenth century. Lead-glazed earthenware; HOA 14 1/2˝. Author’s collection. Photograph by the author. The glaze has a dry, dark brown, rusty appearance resembling finishes on sherds collected from a Davie County pottery production site.

Figure 21

Fig. 22 Tall storage jars attributed to William F. James; Farmington, Davie County, NC; ca. 1870-1939. Earthenware with painted exteriors, black-painted jar is lead-glazed inside; HOA 14 1/2˝ (brown storage jar); HOA 14˝ (black storage jar). Author’s collection. Photograph by the author.

Figure 22

Fig. 23 Handle detail; James Pottery; Farmington, Davie County, NC; ca. 1870-1930. Unglazed earthenware. Author’s collection. Photograph by the author. Storage jar handles applied to vessels attributed to William F. James and perhaps other family potters are typically attached to jar rims and often exhibit distinctive finger-made ridges and channels as shown in this example.

Figure 23

In the 1920s and 1930s, prior to his death in 1939, Bill James produced some wares meant to be painted on their exteriors. Vessels from this period, such as those in Figures 24-27, exhibit colorful splashes of paint, annular bands of color, and intricately lined flowers and vines. Perhaps influenced by the Arts and Crafts Movement, Bill may have found a ready market for these decorative, hand-crafted, hand-painted wares in and around Winston-Salem, Mocksville, and Salisbury, as much of this painted pottery has been found there. Bill likely did not paint the pottery himself. In the 1920s, he employed at least two women in his community to paint pottery – Mattie Bahnson and Bertha Johnson.[140] Between the 1920s and the 1950s, the Hiltons, Browns, Penlands, and Kennedys, among other potters from western North Carolina, chose to leave the exterior surfaces of their wares unglazed, allowing their owners to decorate them.

Fig. 24 Painted vessels attributed to William F. James, Farmington, Davie County, NC; ca. 1900-1939. Earthenware, the ring-handled jar is lead-glazed inside; HOA 7 3/4˝ (brown vessel); HOA 7˝ (black vessel); HOA 7˝ (blue vessel). Author’s collection. Photograph by the author. James employed at least two neighborhood women who painted some of his pottery’s unglazed surfaces before they were sold, including Bertha Johnson, who made the painting seen here for Selma Lakey in 1927.

Figure 24

Fig. 25 Tall ring-handled jars attributed to William F. James, Farmington, Davie County, NC; ca. 1900-1939. Bisque-fired earthenware with cold-painted surfaces; HOA 13 12˝ (blue vessel); 13˝ (yellow vessel). Author’s collection. Photograph by the author. While some of James’ pottery was painted before being sold, their owners may have decorated these examples after they were purchased.

Figure 25

Fig. 26 Painted vessels attributed to William F. James, Farmington, Davie County, NC; ca. 1900-1939. Bisque-fired earthenware with marbled or “float-painted” surfaces; HOA 4˝ (left); HOA 13 3/4˝ (center); HOA 4˝(right). Author’s collection. Photograph by the author. Marbling typically involves floating paint on the surface of a tub of water. Colorful patterns appear on the pottery when it is dipped and swirled into the water through the various colored paint splotches. James may have employed this process himself.

Figure 26

Fig. 27 Painted vessels attributed to William F. James, Farmington, Davie County, NC; ca. 1900-1939. Earthenware, bisque-fired with cold-painted surfaces, the lidded jar is lead-glazed inside; HOA 4˝ (blue vessel); HOA 4" (black vessel); HOA 4 ½” (lidded black and white vessel); HOA 3˝ (small black and white vessel). Author’s collection. Photograph by the author.

Figure 27

Earthenware pottery production in North Carolina declined after the first half of the nineteenth century. Much of the earthenware pottery made by North Carolina potters after 1850 consisted of shallow-walled pans known as “dirt dishes,” which were designed for baking in home ovens, and flowerpots.[141] However, Bill James’ palette of wares included lidded sugar jars, bowls, cups, chambersticks, large and small storage crocks, rundlets, wall pockets, jugs, and two-handled jars with donut-shaped toruses hanging from their handles (Figure 28). He also created presentation pieces (Figures 29-30) bearing a person’s name and his signature. At least one piece of ware that has been collected was signed by William F. James, with both Farmington and Winston-Salem locations inscribed into the clay.[142]

Fig. 28 Ring-handled jars attributed to William F. James, Farmington, Davie County, NC; ca. 1870-1939. Earthenware, the two smaller examples are lead-glazed inside; HOA 7 3/4˝ (left); HOA 9 1/4˝ (center); HOA 6˝(right). Author’s collection. Photograph by the author. The donut-shaped rings suspended from rim-attached handles seen on these vessels are a signature of James’ storage jar style.

Figure 28

Fig. 29 Flowerpots by William F. James, Farmington, Davie County, NC; ca. 1900-1939. Earthenware, the smaller examples are lead-glazed; HOA 4 3/8˝ (light brown pot); Inscribed on its side Hellin [sic] Bahnson Farmington N.C.; HOA 4 3/8˝ (dark brown pot); Inscribed on its side Nancy Walker Farmington, N.C.; HOA 5 3/4˝ (unglazed pot); Inscribed on its side Evola Walker Farmington, N.C., along with an oval cartouche containing the letters A E. Author’s collection. Photograph by the author. These examples are presentation pieces made by James for Farmington women Helen Bahnson, Nancy Walker, and Evola Walker. All are signed on their bases by James.

Figure 29

Fig. 30 Base views of the presentation pieces in Figure 29 showing William F. James’s signature. Author’s collection. Photograph by the author.

Figure 30

A glimpse of Bill James’ skill and production can be seen in a 1927 Twin City Sentinel newspaper article describing a demonstration at a Winston-Salem high school that Bill did late in his career. He astonished students with his speed and skill, producing a flower bowl, vase, jug, and small barrel. He claimed that “there is a ready market to pottery of all sorts; and that with his wheel, he can make on an average of 200 small articles a day.”[143]

Bill James’ work may uniquely link North Carolina’s eighteenth- and nineteenth-century earthenware tradition to the critical early twentieth-century transitional period when North Carolina’s utilitarian potters began making art wares for home decoration and display. His anachronistic forms and finishes may hint at the wares produced by his father, his father’s mentor, who may have been Potter Bill’s grandfather, Cornell, and even potters who worked before the Jameses in Surry (present-day Yadkin) County’s Huntsville community.

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George A. Fraley

George A. Fraley (1813 – ca. 1892), a Davie County resident until around 1857, appears to have been involved in pottery production in White County, Tennessee, from the 1860s to the 1880s. He was born in Davidson County and lived in Rowan County (later Davie County after 1836) before moving to Tennessee sometime around 1857. It is unknown if William Alexander James or another area potter was responsible for his training; however, the fact that he was around forty-four years old when he left North Carolina for Tennessee suggests that he may have gained his skills while living in Davie County. This makes it possible that he learned from William Alexander James or another potter in the vicinity of Huntsville in Yadkin County.[144] Land records show that, soon after moving to Tennessee, Fraley purchased property containing a pottery shop from potter Henry Collier. Tennessee archaeologists Samuel D. Smith and Stephen T. Rogers note that Fraley “owned and remained involved with a pottery most of his life.”[145]

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Simon Bohannon

The Bohannon family’s North Carolina roots trace to Duncan Bohannon (b. 1704), who settled along the Rocky River in Orange County (present Chatham County), North Carolina. His property was located near the lands occupied by potting families including the Landrums, Rhodes, and Drakes before these families moved to South Carolina’s Edgefield District.[146] Duncan’s son John (1729-1789) moved to Surry County, marrying Sarah Cassady (Casada) there on 19 November 1781.[147] Their son Neal Bohannon married Ann Hadley in Surry County in 1805, and they were the parents of Simon Bohannon (b. 1808), who worked as a potter in Surry County.[148]

Potter Simon Bohannon first appeared as a head of household in the 1830 census for Surry County when he was about twenty-one years old.[149] While Simon’s occupation in 1830 and the details of his training as a potter are unknown, a court case brought against him in 1835 provides evidence of his association with another Surry County potter. In this case a Jonesville merchant, Nathan Moffit & Co., brought a suit against Bohannon. Potter William C. Bird acted as surety on behalf of Simon Bohannon, but court minutes state that “The security William C. Bird surrendered the (defendant) Simon Bohannon in discharge of [himself] in open court & ordered into custody of [sheriff].”[150] Neither the cause nor the outcome of this case is apparent; however, the association between William Bird and Simon Bohannon could suggest a shared interest in the same trade. That Simon was engaged in potting by 1840 is supported by the census, in which one person in his family is recorded as being “employed in manufacture and trade.”[151] By 1850, Simon’s occupation is clearly identified in the census as a potter. He is listed with his wife, Eda Greer (also known as Edie), and their eight children, ranging in age from one to eighteen (Figure 31).[152]

Fig. 31 Yadkin County potter Simon Bohannon and family, ca. 1850. Photo courtesy of Andrea Susong Daniels. By 1854, Bohannon was in Greene County, TN, where he made pottery. According to family lore, Bohannon sold pottery carried by a donkey as the family traveled from North Carolina to Tennessee.

Figure 31

Simon Bohannon moved from Yadkin (formerly Surry) County to Greene County, Tennessee, where he next appears in the 1860 census as a potter.[153] Bohannon family lore states that he traveled to Tennessee with a donkey laden with pottery, selling his wares along the way.[154] His relocation from North Carolina to Tennessee likely occurred between 1850, when he was listed as a potter in Surry County, and 1854, when his daughter, Mary C. Bohannon, married Rufus Lucky, a potter in Greene County.[155] In 1850, Lucky lived with potter Isaac Vestal, son of Silas Vestal, formerly of Huntsville. Isaac’s brother, potter Caswell Vestal, was bondsman for the marriage.[156]

After establishing himself in Greene County, Simon Bohannon may have joined J. A. Lowe and William Hinshaw in completing a load of pottery started by Christopher Alexander Haun, a potter from Greene County, Tennessee. In 1861, while awaiting sentencing for burning a Greene County bridge to prevent its use by Confederates, Haun wrote a letter to his wife asking that “Bohannon, Hinshaw, or Low[e]” finish a load of ware.[157] Whether any of the three potters completed Haun’s unfinished ware is not known, but the fact that Haun, an accomplished potter, asked that Bohannon finish his wares suggests that Bohannon was quite a skillful potter himself.

Simon Bohannon died in Greene County, Tennessee, in 1869 and is buried in the New Bethel Church Cemetery (Figure 32). His family remained in Greene County after his death. In 1870, widowed Eda Bohannon headed her household in Greene County.[158] In the 1880 census, Simon’s forty-two-year-old son William Thomas Bohannon (Figure 33) is listed as a farmer and potter. His other son Pleasant Lycurgus (“Larcurk”) Bohannon, lived with his brother William, but his occupation is not identified.[159] William Thomas Bohannon married Martha Jane Harmon, the daughter of Sparling B. and Catherine Carter Harmon.[160]

Fig. 32 Potter Simon Bohannon died in 1869 and was buried in Greene County, TN, alongside his wife Edie (Eda) at New Bethel Church, a Cumberland Presbyterian congregation founded in 1839. Photo by the author.

Figure 32

Fig. 33 William Thomas Bohannon; ca. 1860-1870. Photograph. Image courtesy of Andrea Susong Daniels. Pottery making was continued in Greene County by Simon Bohannon’s son, William Thomas Bohannon.

Figure 33

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William C. Bird

Born around 1788 – possibly in Maryland, though later records alternately list North Carolina – William C. Bird was the son of Joseph and Ann Bird, who had settled in Surry County, North Carolina, by 1800.[161] Documentary evidence of Bird’s own work as a potter is scant, yet circumstantial records suggest his involvement in the craft from an early date. His young adulthood is documented in War of 1812 service records that note his enlistment in the Tennessee Volunteers under Colonel Benton, marching to Natchez and Talladega before his discharge in 1813.[162]

By the 1820s, Bird had returned to Surry County, where he served as guardian to his widowed sister Sarah Dalton’s children and frequently appeared in proceedings for the estate of her husband, Jonathan Dalton.[163] In 1828 he was among several Huntsville citizens promoting Andrew Jackson’s presidential candidacy, but the following year his name appeared in a far more sensational context: an estrangement from his wife Rebecca and a criminal case culminating in his conviction for manslaughter in the death of a man named Andrew McCollum, who, according to contemporary newspaper accounts, had “seduced and torn from his affections and his home” Bird’s wife.[164] Court minutes record that Bird claimed benefit of clergy and was fined $20, a lenient sentence suggesting the court accepted the mitigating circumstances.[165]

Bird remained in Surry County into the 1830s, serving as security for potter Simon Bohannon in 1835, a telling association that strengthens his identification with the trade.[166] His father’s 1832 will had left him seven enslaved people and the house, barn, tanyard, and orchard where he then lived.[167] By 1836, Bird had relocated westward to Hardeman County, Tennessee, where tax and deed records document his ownership of 192 acres, later identified archaeologically by Samuel D. Smith and Stephen T. Rogers as the site of a nineteenth-century pottery operated by William C. Bird himself.[168] His association with Simon Bohannon in North Carolina and the fact that he opened a pottery shop soon after moving to Tennessee suggest that he was already a skilled potter when he arrived in Hardeman County.

By 1850, Bird and his sons moved to Arkansas, where he identified himself as a farmer. His sons William and Nathaniel were potters and resided nearby.[169] He remained in Arkansas through at least 1859, but by 1870, he had returned to Yadkin County, North Carolina, where he was recorded in the household of his sister Sarah Dalton.[170] In his 1871 War of 1812 pension application, Bird gave his residence as “Huntsville in the family with his sister Mrs. Sarah Dalton.”[171] He died on 3 February 1876 and was remembered in The Weekly Sentinel as “William Bird, of Yadkin county, a veteran of the War of 1812.”[172] His long and peripatetic life, spanning North Carolina, Tennessee, and Arkansas, traces the broader migration of southern pottery traditions across the early American frontier, even if the surviving evidence of his direct handiwork remains fragmentary.

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Thomas Benjamin Naylor

Thomas B. Naylor (b. ca. 1809/10) is listed as a potter in the 1850 census for Surry County.[173] Born to Benjamin Naylor and Mary W. Rhodes in Albemarle County, Virginia, the family moved to Surry County, North Carolina, soon after Thomas was born.[174] Thomas married Sarah Vestal, daughter of James Vestal Jr, in Surry County on 17 October 1831.[175] Sometime between 1850 and 1860, Thomas and Sarah moved from Surry County to Washington Township, Poweshiek County, Iowa, where they are listed in the 1860 census.[176] It is unknown if Thomas Naylor worked as a potter after leaving North Carolina.[177]

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Jacob Brewbaker

In 1850, forty-six-year-old Jacob Brewbaker (Brubaker) was working as a Surry County potter.[178] Born in South Carolina around 1803, his father Jacob Brewbaker Sr. (b. ca. 1765) relocated the family from Fairfield County, South Carolina, to the Huntsville area of Surry County, North Carolina, sometime between 1803 and 1810.[179] Jacob Jr.’s parents may have lived with him when the census was taken in 1830.[180] He married Cynthia Hall in Surry County on 27 February 1833, with potter Moses Ritchie serving as the marriage bondsman.[181]

In the 1840 census, one person was “employed in manufactures and trades” in Jacob Brewbaker Jr.’s household.[182] In 1850, potter Jacob Brewbaker Jr. lived six households away from merchant (and potter) Messer Amos Vestal.[183] Jacob Brewbaker continued his trade at least through 1860, where he remained listed as a potter in that year’s census.[184] He is identified as a farmer in the subsequent censuses of 1870 and 1880, and it is unknown if he also continued to make pottery.[185] According to his tombstone, Jacob Brewbaker died at the age of 92, and he and his wife, Cynthia, are buried in Yadkin County’s old Mt. Sinai Methodist Cemetery along with other Brewbaker family members.[186]

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Erasmus Hill

Potter Erasmus Hill (ca. 1808-1851) first appears in the 1830 census in Surry County.[187] He is listed two households away from Asa Vestal, whose brothers Silas, Tilman, and Messer Amos Vestal were – or would become – potters. Eight names below that of Erasmus Hill, potter Moses Ritchie’s name is recorded next to the name of blacksmith Isaac Brewbaker, brother of potter Jacob Brewbaker Jr.[188]

In 1840, one person in Erasmus Hill’s household was “employed in manufacture and trade,” suggesting he may have been involved in pottery production by this date. Potter Jacob Brewbaker and Catherine, Jacob Brewbaker Sr.’s widow, lived nearby, as did potter William A. James.[189]

In 1850, forty-five-year-old potter Erasmus Hill and his wife Sarah still lived near potter Jacob Brewbaker.[190] By the next year, however, an entry dated 8 November 1851 in The People’s Press, a newspaper published in Salem, North Carolina, noted the death of “Mr. Erasmus Hill, aged 40 years,” of Yadkin County, “on the 1st instant.”[191] After his death, connections between these potting families continued, with his daughter Susan Hill (b. 1830) marrying into the Brewbaker family. She married blacksmith Washington Brewbaker (b. ca. 1828), the son of Isaac and Elizabeth Dixon Brewbaker. The wedding was conducted on 11 September 1853 by potter and Justice of the Peace Messer Amos Vestal.[192] Pottery-making Hill, Brewbaker, Vestal, Ritchie, and James families were neighbors and perhaps allies in the trade.

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Alexander Hill

Following a run-in with the law in 1836, Surry County-born Alexander Hill (1812-1860) moved to Cabarrus County sometime between 1836 and 1838. He and fellow potter Moses Ritchie were indicted and convicted in Surry County on 1 March 1834 for unlawfully playing cards with two enslaved men – an act prohibited by state law. Court records outlined their offense:

The jurors for the state upon their oath present, that Moses Ritchie and Alexander Hill, both late of said county, and both white men, on March 1, in the year of our Lord one thousand eight hundred and thirty-four, with force and arms, in said county, unlawfully did play at a game of cards with two slaves, viz. John, the property of one Peter Clingman, and Juan; contrary to the statute in such case made and provided, and against the peace and dignity of the state. A motion in arrest of judgment was submitted by the counsel for the defendants; which being overruled, and judgment pronounced, the defendant, Ritchie, appealed.[193]

An 1830 North Carolina law made it illegal “for any white person, free negro, or mulatto, to play at any game of cards, dice, ninepins, or any game of chance or hazard, whether for money, liquor, or any kind of property, or not, with any slave or slaves; and any white person, so offending, shall be guilty of a misdemeanor.”[194] This statute criminalized certain interracial social interactions with enslaved individuals, with a penalty of either a fine or imprisonment “not [to] exceed six months.”[195] While Moses Ritchie challenged the ruling of the court by appealing the case, perhaps Alexander Hill thought it better to move out of the county.

In Cabarrus County, Hill worked as both a farmer and potter.[196] One of his close neighbors was potter Michael Goodman (b. 1824), whose brothers John (b. 1822) and Tobias (b. 1828) were also potters.[197] John Goodman was the son-in-law of, and worked with, noted Catawba Valley potter Daniel Seagle in Vale, North Carolina.[198] In 1838, Alexander Hill married Eleanor Ritchie in Cabarrus County.[199]

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Moses Ritchie

Moses Ritchie (Ritchey) was born to Henry Ritchie and Eva Magdalena Fesperman in Cabarrus County, North Carolina, on 22 June 1798 and was christened at St. John’s Lutheran Church (Dutch Buffalo Creek Church) on 23 September 1798.[200] When Moses learned the pottery trade and from whom is not known. His cousin Paul Ritchie (b. 1810; son of Michael Ritchie and Elizabeth Ann Walker) was also a potter, and the two were likely among the first members of the family to engage in the craft.[201] Their descendants include at least sixteen potters, including Moses’ sons Henry, Thomas, and Joseph, and Paul’s sons George Pinkney and William M. Ritchie. Ritchie family potters are best known for alkaline-glazed stoneware made in Lincoln and Catawba counties.[202]

Although Moses’ training as a potter is not yet fully understood, it is possible that he learned the trade in Cabarrus County. In 1764, his grandparents Hans Jacob and Maria Catharina Meyer Rüetschi purchased 254 acres in Mecklenburg County (later Cabarrus County) on both sides of Dutch Buffalo Creek from Governor Arthur and Justina Dobbs.[203] The area around Dutch Buffalo Creek, which runs near the boundary of Rowan and Cabarrus counties, near the Lutheran Organ Church, was home to several potters. Among them was Henry (Johann Heinrich) Wenzel (1734-1797), who trained his stepson, Benedict Mull (Moll; 1777-1857).[204] Another nearby potter, Thomas Pasinger (1765-?), a former apprentice of Moravian potter Henry (Johann Heinrich) Beroth’s, moved from Salisbury in Rowan County to a portion of Mecklenburg County that became Cabarrus County in 1792.[205] Pasinger settled not far from the site of the Ritchie family lands. He worked as a potter until at least 1824.[206] Given their geographical proximity, Ritchie may have acquired his pottery-making skills from Mull, Pasinger, or another nearby potter. If so, he probably learned earthenware production before adding stoneware manufacture to his skill set.

Ritchie may have been drawn away from Cabarrus County to Surry County’s town of Huntsville to work as a journeyman for Silas Vestal’s (or another potter’s) earthenware pottery shop. His presumed apprenticeship may have ended when he attained his twenty-first birthday in 1819, setting him free to pursue work elsewhere. On 15 November 1823, Moses Ritchie married Susannah Hill in Surry County, placing him in the county by 1823 and tying him to the Hill family potters.[207] Before she died in 1832, Susannah gave birth to four sons: William Monroe (1821-1828), Henry (b. 1822), Thomas (b. 1825), and Joseph (b. ca. 1829).[208]

Several Surry County incidents suggest that Moses Ritchie remained in Huntsville following young Susannah’s untimely 1832 death. On 10 February 1834, a notice in Salisbury, North Carolina’s Journal newspaper (Figure 34) announced the 26 November 1833 dissolution of a Huntsville partnership between Ritchie and Paschal Rowzee.[209] The purpose of this business is not stated. Rowzee remained in Surry County through 1840 before moving to Bedford County, Tennessee, by 1850, where he identified himself as a carpenter.[210]

Fig. 34 Moses Ritchie and Paschal Rowzee’s notice in "The Journal," Salisbury, NC, 10 February 1834.

Figure 34

In addition to properties outside Huntsville, Moses Ritchie purchased at least five lots within the town’s boundary (Lots 6, 7, 4, 20, and 23). In 1834, Ritchie sold all his town lots to Thomas C. Davis; he may have been preparing to move away from Surry County and Huntsville.[211]

In 1928, John Johnson (a relative of potters Eli, Harvey M., and J. D. Johnson) of Vale, in Lincoln County, recalled, “I now being 87 years old, the first I remember about the pottery business in this section was when Moses Ritchie run a jug factory about 75 or 80 years ago, and he had three sons, Thomas, Henry and Joseph, who engaged in pottery after their father died, and one of these is running it extensively now.”[212]

Johnson’s account suggests that Moses Ritchie operated a shop near Lincoln and Catawba counties as early as 1848. His whereabouts between about 1834 and about 1848 remain unclear. Records stating that Ritchie was a potter are scarce, but in 1860 the census clearly records that sixty-one-year-old Moses Ritchie was a Catawba County, North Carolina, potter.[213] In 1850, Moses’ son Thomas was a Lincoln County potter, while in neighboring Catawba County, his son Henry made pottery, and his son Joseph worked as a brick mason. Thomas Ritchie, whose shop seems to have included potters from the Catawba Valley’s Johnson and Carpenter families, continued his father’s trade.[214] His shop’s wares (Figure 35) are among the finest made by North Carolina’s alkaline-glazed stoneware makers. In Catawba County, pottery was also being made by their relative, Paul Ritchie.[215] Ritchie potters intermarried with and worked alongside Johnson and Carpenter potters in Lincoln and Catawba counties.

Fig. 35 Jug attributed to Thomas Ritchie; Lincoln or Catawba County, NC; ca. 1850-1860. Alkaline-glazed stoneware; HOA 8 1/2˝. Author’s collection. Photograph by the author. Moses Ritchie and his wife Susannah Hill had four sons before leaving Huntsville for the Catawba Valley, where he made pottery. One died young, and three others, Thomas, Henry, and Joseph, became notable Catawba Valley potters.

Figure 35

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The Pottery

Apart from examples of earthenware signed by William F. James and some items long associated with early Yadkin Valley area families, little is known about the objects produced by individual Yadkin Valley potters, whose work over many years undoubtedly resulted in a variety of wares. However, two pottery production sites have been identified, and surface-collected artifacts from these sites offer clues as to what the area’s potters produced. One site is in Huntsville, Yadkin County, and the other is in Davie County, a few miles away.[216]

Sherds (Figure 36) from the Huntsville site have been collected over many years by a lifelong Huntsville resident and her mother from a low-lying area near a spring and a small stream within the borders of old Huntsville.[217] A rock wall constructed nearby from collected stones may have been made using the demolished kiln’s remains. It is possible that this site was occupied by Vestal family potters from the early 1800s, and afterward by journeymen and potters who may have been trained in the trade by the Vestals or someone who followed them.[218] If this is the case, the location supported pottery production for approximately a half-century.

Fig. 36 Storage crock base fragment by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware. Private collection. Photograph by the author. Unless otherwise indicated, all pottery sherds shown in this article were surface collected by private property owners.

Figure 36

Sherds from the Huntsville site indicate that storage jars with everted rims (Figure 37), dishes with well-defined marlys (Figure 38), and press-molded pipeheads were manufactured on the site. Glaze colors range from dark brown to medium orange, with some exhibiting a mottled, greenish-gray appearance (Figure 39). Decorative slip trailing (Figure 40) was added to some wares, creating linear banding and also incised zigzag lines bounded by two parallel lines along the shoulder of the pots. This incised zigzag line around the circumference of the pot is commonly found on Guilford and Randolph County Quaker-made wares (Figure 41). Salt-glazed stoneware sherds (Figure 42) are present in the collection, raising questions as to whether both stoneware and earthenware were produced at the site, or whether they represent common household debris mixed into a waster pile, which was not uncommon at production sites.

Fig. 37 Crock rimsherds by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware. Private collection. Photograph by the author.

Figure 37

Fig. 38 Dish rimsherds by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware. Private collection. Photograph by the author.

Figure 38

Fig. 39 Glazed sherds by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware. Private collection. Photograph by the author.

Figure 39

Fig. 40 Press-molded smoking pipe bowl fragments and slip-trailed decorated sherds by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Earthenware, unglazed and lead-glazed with slip-trailing. Private collection. Photograph by the author.

Figure 40

Fig. 41 Stew pot attributed to Nathan Dicks; Randolph County, NC; ca. 1875-1900. Lead-glazed earthenware; HOA 8˝. Author’s collection. Photograph by the author. Slip-trailed and incised zigzag line decoration like this is commonly found on North Carolina Quaker-made earthenware. See slip-trailed sherds in Figure 40.

Figure 41

Fig. 42 Glazed sherds by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Salt-glazed stoneware. Private collection. Photograph by the author. The presence of stoneware sherds suggests, but does not prove, that earthenware and stoneware were produced at the Huntsville site.

Figure 42

Examples of kiln furniture from the Huntsville site (Figure 43) include rectangular tiles made of clay with one face bearing a series of scratched or combed parallel lines. The grooved surface helped prevent glazed wares from sticking to the tiles during firing. Similar kiln furniture has been found at the Davie County site (Figure 44) and at an unexcavated pottery site in Jamestown, Guilford County, North Carolina (Figure 45), where Vestal potters were present. Archaeologists Samuel D. Smith and Stephen T. Rogers have found similar kiln tiles (Figure 46) at a site associated with Silas Vestal in Greene County, Tennessee. Describing them as “pieces of thick, rectangular shaped tiles,” Smith and Rogers note that the tiles “have flat bottom surfaces and upper surfaces with parallel ridges and grooves or basket weave-like impressions.”[219] The use of such tiles suggests that the kilns on these sites were tall, unlike groundhog kilns, allowing wares to be stacked.[220]

Fig. 43 Kiln tiles by an unknown maker; Huntsville, Yadkin County, NC; ca. nineteenth century. Unglazed earthenware. Private collection. Photograph by the author. These distinctively grooved tiles are similar to examples found on a nearby Davie County site and other North Carolina and Tennessee sites associated with Vestal family potters. They were probably used to separate stacked pottery during firing.

Figure 43

Fig. 44 Kiln tile probably by a James family potter; Davie County, NC; ca. nineteenth-early twentieth century. Unglazed earthenware. Private collection. Photograph by the author.

Figure 44

Fig. 45 Kiln tile by an unknown maker; Jamestown, Guilford County, NC; ca. nineteenth century. Unglazed earthenware. Private collection. Photo courtesy of Hal E. Pugh. This kiln tile’s narrow grooves and thinness make it similar to the examples from Yadkin and Davie counties seen in figures 43 and 44 and figure 46 from a Greene County, TN site associated with Silas Vestal. A sherd recovered at this Guilford County location bears the partially inscribed name Vestal, see Fig. 8.

Figure 45

Fig. 46 Kiln tiles by an unknown maker; Greene County, TN; ca. nineteenth century. Unglazed earthenware. Photo courtesy of the Tennessee Division of Archaeology, Nashville, TN. These tiles, resembling North Carolina examples in figures 43-45, were collected in Greene County from a site (40GN30) associated with Silas Vestal. Vestal had moved from Huntsville, North Carolina to Greene County by 1828.

Figure 46

Surface-collected sherds (Figures 47-49) from the Davie County location are similar to those found in Huntsville and likely represent a James pottery site. When interviewed, nearby residents said William F. “Potter Bill” James’ kiln was not far from this location in Jamestown.[221] Multiple generations of James potters may have worked at the site, including Potter Bill’s father, William Alexander James, and perhaps his grandfather, Cornell James. The current collection lacks examples of Potter Bill’s characteristic rings and the bold, rim-attached handles from which they were hung, suggesting that it may not be the only James pottery site in the area.

Fig. 47 Sherds from a pottery production site probably by a James family potter; Davie County, NC; ca. nineteenth century. Bisque-fired and lead-glazed earthenware. Private collection. Photograph by the author.

Figure 47

Fig. 48 Fragments of press-molded pipe bowls probably by a James family potter; Davie County, NC; ca. nineteenth century. Unfired earthenware. Private collection. Photograph by the author.

Figure 48

Fig. 49 Kiln tile probably by a James family potter; Davie County, NC; ca. nineteenth century. Private collection. Photograph by the author.

Figure 49

Many of the sherds from the Davie County site bear a dark brown glaze over a light-to-medium red-colored paste. Most glazed examples lack the smooth, glossy surface frequently seen on well-made lead-glazed earthenware. The effect may be due to underfiring or the use of an insufficient glaze mixture. Some finished wares (Figure 50) found by collectors not far from Davie County are similarly glazed. They may have been made at this site or nearby, but further research is needed to be able to definitively locate their place of manufacture.

Fig. 50 Tankard, dish, and jugs by an unknown maker; Piedmont Region, NC; ca. nineteenth century. Lead-glazed earthenware. HOA 5 3/8˝ (tankard); DOA 10 3/4˝ (dish); HOA 6 1/4˝ (small jug); HOA 7 1/2˝ (large jug). Author’s collection. Jug on the right, private collection. Photograph by the author. Objects like these, with rusty-looking lead glaze finishes, collected from Yadkin, Davie, and nearby counties, share traits (clay, glaze, form, etc.) with Yadkin and Davie County production site artifacts and may represent wares made by Yadkin Valley potters.

Figure 50

The tall storage jar in Figure 51 came from an estate sale in Forbush, Yadkin County. Forbush, a community situated a short distance from Huntsville and the shallow ford of the Yadkin River, was home to numerous early settlers in Surry (later Yadkin) County, including the Williams family, from whose estate this jar was acquired. Its glaze, coating only its interior, handles, and shoulder in a crisscross fashion, resembles the glazing found on sherds from the Huntsville and Davie County sites. Two jars in Figure 52 have similar crisscross glaze and may be associated with the Williams family storage jar. Another large jar (Figure 53) resembles the one in Figure 51 and was probably made by the same potter. The similarity in form and handle placement of these two large jars and those made by Tennessee potters C. A. Haun and J. A. Lowe (Figures 54-55), as well as their shared features with wares produced by Henry Watkins and other Quaker potters in Guilford and Randolph counties, is striking. Could the form have been introduced by Huntsville potter Simon Bohannon, who was associated with Haun after leaving North Carolina, or perhaps by a Vestal, a Bohannon, or another Yadkin Valley potter who migrated to Greene County? While the current material evidence is intriguing, a definitive answer awaits further research and new discoveries.

Fig. 51 Storage jar by an unknown maker; Yadkin County, North Carolina; ca. nineteenth century. Lead-glazed earthenware; HOA 12˝. Author’s collection acquired from the Beckerdite Collection. Photograph by the author. This jar was purchased from a Forbush, Yadkin County, NC, estate sale along with other examples of earthenware. The sale represented one of the county’s earliest families. Aspects of its form are reminiscent of jars made by Quaker Henry Watkins and other potters working in Guilford and Randolph counties.

Figure 51

Fig. 52 Storage jars by an unknown maker; Piedmont Region, NC; ca. nineteenth century. Lead-glazed earthenware. HOA 10˝ (left); HOA 8˝ (right). Author’s collection. Photograph by the author. Several jars glazed in this crisscross fashion have been observed in private North Carolina collections. The glazing technique, perhaps gained from North Carolina’s Quaker pottery tradition, may associate these vessels with the larger jar in figure 51.

Figure 52

Fig. 53 Storage jar by an unknown maker; Piedmont Region, possibly Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware (interior and rim). Private collection. Photo courtesy of Old Salem Museums & Gardens. This jar’s similarity in form, including the style of its handles, suggests a connection to the maker of the jar in figure 51.

Figure 53

Fig. 54 Storage jar by John Alexander Lowe; Greene County, TN; ca. 1852-1862. Lead-glazed earthenware; HOA 13 5/8˝. Private collection; Ex. Carole Wahler Collection. Photo courtesy of Crocker Farm Auction. Lowe probably knew, and perhaps made pottery with, former Yadkin County, NC, potter Simon Bohannon. This jar bears Lowe’s name and is similar in form to the North Carolina jars seen in Figures 51 and 53.

Figure 54

Fig. 55 Storage jar by Christopher Alexander Haun; Greene County, TN; ca. 1840-1860. Lead-glazed earthenware; HOA 13˝. Private Collection; Ex. Carole Wahler Collection. Photo courtesy of Crocker Farm Auction. Like Lowe’s jar in Figure 54, this jar, made by C. A. Haun, shares traits with the North Carolina jars in Figures 51 and 53.

Figure 55

The jar described above (Figure 51), the slip-trailed child’s plate (Figure 56), the jar (Figure 57), and the bowl (Figure 58) were acquired from Williams family estate sales in Yadkin County’s Forbush community. Members of the Williams family were involved in the slave trade and the production of distilled spirits and were among the area’s earliest and most prominent residents. Given the number of earthenware pottery makers nearby and the absence of negating evidence, the assumption that Yadkin Valley potters produced these items seems reasonable.

Fig. 56 Child’s dish by an unknown maker; Piedmont Region, possibly Yadkin County, NC; ca. nineteenth century. Slip-trailed decorated lead-glazed earthenware; DOA 4 3/16˝. Private collection. Photo courtesy of Old Salem Museums & Gardens. This miniature dish is associated with one of Yadkin County’s early Williams families. Collected sherds show that slip-decorated ware was made in Huntsville. Further historical and archaeological research may confirm the origin of this dish and other locally collected and unsigned earthenware examples like those in figures 57-60.

Figure 56

Fig. 57 Storage jar by an unknown maker; Piedmont Region, possibly Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware with incised line decoration; HOA 5 5/8˝. Private collection. Photo courtesy of Old Salem Museums & Gardens. This jar was purchased at a Forbush Road, Yadkin County, NC, Williams family estate sale along with a slip-decorated dish (probably the child’s dish in figure 56).

Figure 57

Fig. 58 Bowl by an unknown maker; Piedmont Region, possibly Yadkin County, NC; ca. nineteenth century. Lead-glazed earthenware; HOA 5˝(est.). Private Collection; Ex. Beckerdite Collection. Photograph by the author. This bowl was purchased at an estate sale on Forbush Road in Yadkin County, NC, with other earthenware, including a slip-trailed decorated dish.

Figure 58

John Bivins Jr. described chambersticks like the ones in Figure 59 as unglazed, late-period Moravian, possibly from Bethania.[222] An example similar to the painted one is owned by a James family member who claims it was made by William Franklin “Potter Bill” James.[223] Since no evidence is presently known connecting this form to North Carolina’s Moravian potters, their manufacture by one or more Yadkin County or Davie County potters seems likely.[224]

Fig. 59 Chambersticks attributed to James family potters; Yadkin or Davie County, NC; ca. 1850-1930. Earthenware; HOA 4˝ (back left); HOA 3 3/4˝(back right); HOA 3˝ (front left); HOA 3 1/8˝ (front center); HOA 3 1/2˝ (front right). Author’s collection. Photograph by the author. Moravian potters have long been credited with manufacturing chambersticks like these, but no evidence in support of it has been found. Examples possessed by James' family members suggest that James family potters, or other potters nearby, were making them.

Figure 59

The footed pitcher in Figure 60 came from a home near Pinnacle in Stokes County, a site about twenty-five miles northeast of Huntsville. Poor lead glaze adhesion created an interesting, but unusual surface. An antiques dealer observed jugs exhibiting similar glaze failure in a Yadkin County shed near East Bend and the Yadkin River near Huntsville, further corroborating the possibility that it was produced locally.[225]

Fig. 60 Pitcher by an unknown maker; possibly Yadkin County, NC; ca. late eighteenth or early nineteenth century. Lead-glazed earthenware; HOA 10˝. Author’s collection. Photograph by the author. Similarly glazed jugs have been found in Yadkin County.

Figure 60

With the benefit of future research, it is likely that the Yadkin Valley origin of many more unattributed earthenware pottery examples found in private and museum collections will be proven. However, as this article has demonstrated, we currently know more about the potters than their wares.

Conclusion

Yadkin Valley potters sustained an earthenware tradition for more than a century, long after others turned to manufacturing more durable stoneware pottery. Their impact on pottery production extended well beyond the Yadkin Valley – the potters who worked and were trained here carried their craft into southwestern Virginia, northeastern Tennessee, further south, and even into the Midwest. While collectors often point to Moravian influence on pottery made along the Great Wagon Road, the style may owe just as much to artisans from the Yadkin Valley, many of whom were trained by the state’s Quaker potters including the Vestals and their successors. This tight network of Yadkin Valley potters, from Peter Myers in the late eighteenth century to Bill James in the early twentieth century, kept earthenware production alive in the region and left a lasting imprint on Southern pottery traditions.

Stephen C. Compton is an independent scholar and author specializing in North Carolina pottery. He can be reached at [email protected].

 

 

                               

 

 

[1] For studies focusing on the reassessment of North Carolina slip-decorated earthenware once attributed to the Moravian potters in Wachovia, see the 2009 and 2010 volumes of Ceramics in America, specifically Luke Beckerdite, Johanna Brown, and Linda F. Carnes-McNaughton, “Slipware from the St. Asaph’s Tradition,” Hal E. Pugh and Eleanor Minnock-Pugh, “The Quaker Ceramic Tradition in Piedmont North Carolina,” and Linda Carnes-McNaughton, “Solomon Loy: Master Potter of the Carolina Piedmont,” in Ceramics in America edited by Robert Hunter and Luke Beckerdite (Hanover, NH: University Press of New England for the Chipstone Foundation, 2010); Stephen C. Compton, “Research Note: The Eighteenth-Century Potters of Salisbury and Rowan County, North Carolina,” Journal of Early Southern Decorative Arts 39 (2018): 143-156; Scott W. Smith, “Documenting Early Catawba Valley ‘Potters’” Traditions in Clay 13 (Raleigh, NC: The North Carolina Pottery Collectors’ Guild, Fall 2006): 2-7.

[2] The shallow, rocky upstream waters of the Cape Fear River’s tributaries likewise hindered significant riverine trade with interior Piedmont region settlements like those established near the Great Wagon Road’s crossing of the Yadkin River.

[3] This region was some distance from relatively cultured settlements like Hillsborough and Cross Creek and Fayetteville.

[4] For information about the state’s Moravian potters, see Hunter and Beckerdite, eds., Ceramics in America 2009; Stephen C. Compton, North Carolina’s Moravian Potters: The Art and Mystery of Pottery-Making in Wachovia (Charleston: Arcadia Publishing by arrangement with Fonthill Media LLC, 2019). For information about Rowan County potters see Compton, “Research Note.”

[5] Harden Taliaferro, Fisher’s River (North Carolina) Scenes and Characters (New York: Harper and Brothers Publishers, 1859), 18-19.

[6] Taliaferro, Fisher’s River (North Carolina), 220-221.

[7] For information on pottery along the Great Wagon Road, see Betsy K. White, Great Road Style: The Decorative Arts Legacy of Southwest Virginia and Northeast Tennessee (Charlottesville: University of Virginia Press, 2006); Roderick J. Moore “Earthenware Potters Along the Great Road in Virginia and Tennessee,” The Magazine Antiques, September 1983, 528-537; Johanna Miller Lewis, Artisans in the North Carolina Backcountry (Lexington, KY: The University Press of Kentucky, 1995).

[8] William E. Rutledge Jr. and Max O. Welborn, “Huntsville,” in An Illustrated History of Yadkin County: 1850-1965 (Yadkinville, NC: William E. Rutledge, Jr. and Max O. Welborn, 1965), 25.

[9] William S. Powell, The North Carolina Gazetteer: A Dictionary of Tar Heel Places (Chapel Hill, NC: The University of North Carolina Press, 1968), 241.

[10] “The Great Wagon Road,” in The Way We Lived in North Carolina, ed. Joe A. Mobley (Chapel Hill: University of North Carolina Press, 2003), 81.

[11] “Tyre Glenn,” 1860 U S Federal Census Slave Schedules, Yadkin County, NC.

[12] “Glenwood,” National Register of Historic Places Inventory Nomination Form. Online: https://files.nc.gov/ncdcr/nr/YD0001.pdf (accessed 10 June 2025).

[13] Others in the county who enslaved large numbers of people included Joseph A. Bitting, Thomas Long, and members of the Conrad and Williams families. In 1860 Nicholas Lanier Williams, whose family operated a prominent distillery, enslaved seventy-nine people. “N L Williams,” 1860 US Federal Census Slave Schedules, Yadkin County, NC. In 1863, his son Joseph Williams married Tyre Glen’s daughter Margaret Louisa. Marriage bond, “M Louisa Glenn to Joseph Williams,” 3 February 1863, Yadkin County, NC, North Carolina, U.S., Index to Marriage Bonds, 1741-1868.  Online: https://www.ancestry.com/search/collections/60548/records/3061573 (accessed 10 June 2025).

[14]Rutledge Jr. and Welborn, “Huntsville,” 26.

[15] Rutledge Jr. and Welborn, “Huntsville,” 26.

[16] In 1790, Daniel, James, and Thomas Vestal lived in Surry County. By 1800, eight men named Vestal and their families resided in Surry County’s Salisbury District.1800 US Federal Census, Salisbury, Surry County, NC.

[17] 1850 US Federal Census, South Division, Surry County, NC.

[18] 1820 US Federal Census, Capt. J. Poindexters District, Surry County, NC.

[19] Myers’ name is variously spelled Myars; Miers; Meirs. The Eatons were a prominent family in Rowan and Surry counties, and Peter Myers married Mary Eaton, the daughter of John and Elizabeth Lovering Eaton, in Rowan County on 28 March 1768. Marriage record, “Peter Myers to Mary Eaton,” 28 March 1768, Rowan County, NC, North Carolina, U.S., Marriage Records, 1741-2011 for Mary Eaton. Online: https://www.ancestry.com/search/collections/60548/records/5733489 (accessed 10 June 2025). Mary Eaton was Peter Eaton’s first cousin.

[20] Deed Book I:72, Surry County Register of Deeds Office, Dobson, NC.

[21] Deed Book H:120, Surry County Register of Deeds Office, Dobson, NC.

[22] Land entry 1159 for Abraham Creason for 350 acres in Joseph H. Winston: His Entry Book, Surry County, North Carolina – Land Entries, 1178-1781, compiled by Agnes Mosley Wells, Virginia Gentry Phillips, and Carol Jean Leonard (1987): 102. Online: https://www.familysearch.org/library/books/records/item/455320-surrey-county-north-carolina-land-entries-1778-1718 (accessed 11 June 2025).

[23] Myers sold 250 acres of the Crooked Run Creek tract to William Hughlett in 1786; 60 acres of the Deep Creek tract to Henry Speer in 1790; 100 acres of the Deep Creek tract to John Williams in 1793; 10 acres on Lick Run to John Ragain in 1799; and Huntsville Lot 10 to Peter Eaton in 1800.

[24] Surry County, North Carolina, County Court Minutes, 1779-1802, Image 778. Online: https://www.familysearch.org/ark:/61903/3:1:3Q9M-CS4R-T9N3-M (accessed 9 July 2025); Iris M. Harvey and Agnes M. Wells, Surry County, North Carolina, Court Minutes 1801-1804, III: 50.

[25] Surry County, North Carolina, Inventories and Accounts of Sales, 1784-1809, 155, microfilm reel NC.C/S.7/MFm.3, MESDA Research Center.

[26] Iris M. Harvey and Agnes M. Wells, Surry County, North Carolina, Court Minutes 1805-1809: 60.

[27] Deed Book M:37-39, Surry County Register of Deeds Office, Dobson, NC.

[28] “Zacariah Jones,” Heathcock Genealogy Database – Person Sheet. Online: https://heathcock.org/genealogy/ps01 229.html (accessed 11 June 2025).

[29] Will, Zachariah Jones, Kent County, Delaware, 1789, Kent County Register of Wills, Book M-N, 1783-1800. Online: https://www.ancestry.com/search/collections/9044/records/563322 (accessed 11 June 2025).

[30] Marriage record, Silas Vestal to Bershaba Jones, 17 July 1817, Surry County, NC, Marriages Bond Abstracts, 1780-1868, Vol. A-Z, 2237. Online: https://www.familysearch.org/ark:/61903/3:1:S3HT-63NQ-DK7 (accessed 11 June 2025).

[31] Minnie Speer Boone, Our Family Heritage (Salisbury, NC: Hennessee Studio, 1956), 63. A portion of Orange County became Chatham County after 1771. William Vestal Jr. was the son of William Vestal Sr. and Alice Glover. In 1742, William Vestal Jr. partnered with four other men – Thomas Mayberry, John Traden, Richard Stevenson, and Daniel Burnett – to construct an iron bloomery on Vestal’s Virginia plantation.

[32] David Anthony Vestal (son of William and Elizabeth Messer Vestal) operated a grist mill on the Rocky River from which he supplied flour to American soldiers during the Revolutionary War. He married Sarah Chamness. In 1772, a payment request was made from the Cane Creek Monthly Meeting to the Province of North Carolina for flour and six wagons and teams used in the campaign against the Regulators. Among the signatories to this solicitation were the Vestal brothers, David, Thomas, and William. Describing themselves as a people “known to be peaceable under government (although deviated from by some who make profession as we do,)” the Quakers proposed that, “Whereas Governor William Tryon; requested us to Furnish him With Six Waggon Load of Flower; together With Six Waggons and Teams; in the Campaign against the Regulators; Which Request We Complyed with; in Expectation of being Paid for the Same. Grant this our Petition For if otherwise the Burthen thereof is most Likely to fall on a Very Few in the discharge and Settlement thereof; Which may Prove the means of Rendering Some of us Incapable of the Punctuall discharge of our other Respective debts.” In 1792, David Vestal, “out of love and esteem that he has for that people (Quakers) and for the sum of three shillings, granted about five acres of land for the construction of Chatham County’s Rocky River Friends meeting house and a cemetery.” Friends Historical Collection, Guilford College, Greensboro, NC. Jeremiah Vestal, believed to be the grandson of David Anthony and Sarah Chamness Vestal, was a potter in Blount County, Alabama, in 1860. 1860 US Federal Census, Blount County, AL. William Vestal (b. 1721, son of William and Elizabeth Messer Vestal) remained in Chatham County and served as the county’s delegate to North Carolina’s 1788 Constitutional Convention.

[33] William Wade Hinshaw. Encyclopedia of American Quaker Genealogy I (Baltimore: Genealogical Publishing Co., Inc., 1991), 425; Minutes of Cane Creek Monthly Meeting, 1 December 1751.

[34] Marriage record, James Vestal to Mary Jay, 1751, U.S. and International Marriage Records, 1560-1900. Online: https://www.ancestry.com/search/collections/7836/records/1262154 (accessed 29 July 2025). The fact that the grandson of James Sr. is named Jay adds weight to the claim that James Sr. and Mary Jay were married in 1751 following her dismissal from Cane Creek Monthly Meeting for marrying out of union.

[35] Carole Carpenter Wahler, personal correspondence, 31 August 2006.

[36] 1850 Schedule of Manufactures.

[37] “Vestal,” Legacy in Clay: Pottery of Washington County, Virginia (Abingdon, VA: William King Regional Arts Center, 2005), NP.

[38] Alamance County, North Carolina, Cane Creek Monthly Meeting, Minutes, 1751-1796, Vol. 1, Image 10. Online: https://www.ancestry.com/search/collections/2189/records/3458812 (accessed 24 July 2025); Minnie Spear Boone, Our Family Heritage, 64. The New Garden community was settled by Quakers about 1750. In 1751, the Cane Creek Monthly Meeting authorized a meeting for worship at New Garden due to the thirty-mile distance between the two locations.

[39] Hinshaw, Encyclopedia of American Quaker Genealogy, I: 487; 971.

[40] “Genealogy of the Vestal Family from 1683 to 1893,” from the Mendenhall/Lightfoot collections at the Historical Society of Pennsylvania (Philadelphia, PA) (hereafter HSP).

[41] Carole Carpenter Wahler, personal correspondence, 31 August 2006. The Cain Potter was likely established by Leonard Cain who was born in North Carolina in 1782 to Peter Cain. Klell Bayne Napps, “Traditional Pottery in Washington County, Virginia and Sullivan County, Tennessee,” The Historical Society of Washington County, Va., Series II, nos. 10/11 (September 1973): 8. The family lived on Farmers Creek, a tributary of Abbotts Creek in Rowan County, North Carolina (now Davidson County), around 1790, but by 1807 had moved to Wythe county, Virginia, where they briefly lived before settling in Sullivan County, Tennessee, by 1814. Here Cain’s three sons and two grandsons worked as potters. Will of Peter Cain (Kane), Rowan County, NC, 10 December 1791, Will Book C: 235; Samuel D. Smith and Stephen T. Rogers, Tennessee Potteries, Pots, and Potters, vol. 2 (Nashville, TN: Tennessee Department of Environment and Conservation, Division of Archaeology, 2011), 595.

[42] 1840 US Federal Census, Davie County, NC.

[43] 1850 US Federal Census, South Division, Surry County, NC.

[44] “Genealogy of the Vestal Family from 1683 to 1893,” from the Mendenhall/Lightfoot collections at the HSP.

[45] 1820 US Federal Census, Capt. J. Poindexters District, Surry County, NC.

[46] Kate Todd Thomas, “Diary of William Welch;” “William McQueen Welch,” Online: https://ancestors.familysearch.org/LCVG-NYG/William-mcqueen-welch-1800-1881 (accessed 13 May 2021).

[47] Marriage record, Silas Vestal to Bershaba Jones, 17 July 1817, Surry County, NC, Marriages of Surry County, North Carolina, 1779-1868: 209, Online: https://www.ancestry.com/search/collections/8909/records/2084259 (accessed 11 June 2025).

[48] Deed Book H:268, Surry County Register of Deeds Office, Dobson, NC. In 1821, Silas Vestal owned Lot 15 in Huntsville, while brother Asa owned two lots. Tax List, 1821, Surry County, NC, State Archives of North Carolina.

[49] Tax Lists: 1821; 1822, Surry County, NC, State Archives of North Carolina.

[50] Loose Tax List: 1824, State Archives of North Carolina.

[51] Loose Tax List: 1825, State Archives of North Carolina.

[52] Deed Book 21:107, Greene County Register of Deeds Office, Greeneville, TN. According to a family historian, potter William Stanley cared for Russell early on and taught him the pottery trade. Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 2, 890.

[53] Silas Vestal paid William Stanley twenty dollars for the ¾ acre lot. At the time, Greene County land sold for about four dollars, or less, per acre. See discussion in Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 1, 134.

[54] 1830 US Federal Census, Greene County, TN.

[55] Will of Silas Vestal, Wills, Vol 1-2, 1828-1897, 28 January 1833, Greene County, TN, 108. Online: https://www.ancestry.com/search/collections/9176/records/4436736 (accessed 13 June 2025); Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 2, 941.

[56] Carole Carpenter Wahler, personal correspondence, 16 April 2007.

[57] Samuel D. Smith and Stephen T. Rogers, Tennessee Potteries, Pots, and Potters, vol. 1 (Nashville, TN: Tennessee Department of Environment and Conservation, Division of Archaeology, 2011), 134-136; Marriage bond, Silas Vestal to Priscilla Ward, 19 September 1826, Rowan County, NC, North Carolina Marriage Records, 1741-2011. Online: https://www.ancestry.com/search/collections/60548/records/6920427 (12 June 2025). Davie County was created from Rowan County in 1836, and it is possible that their marriage may have taken place in Davie County.

[58] 1850 US Federal Census, Division 9, Greene County, TN.

[59] Marriage bond, Messer A. Vestal to Rhoda Mendenhall, 9 February 1833, Guilford County, NC, NC Marriage Records, 1741-2011, 458. Online: https://www.ancestry.com/search/collections/60548/records/322442 (accessed 13 June 2025).  Richard was a potter who had been mentored in the trade by Jesse Kersey of Chester County, Pennsylvania. Hal E. Pugh and Eleanor Minnock-Pugh, “The Quaker Ceramic Tradition in Piedmont North Carolina,” in Ceramics in America (Hanover and London: The Chipstone Foundation and University Press of New England, 2010), 92.

[60] Mac McAtee, personal correspondence, December 2011; Hal E. Pugh, personal correspondence, 2012.

[61] Pugh and Minnock-Pugh, “The Quaker Ceramic Tradition,” 94-95.

[62] 1850 US Federal Census, South Division, Surry County, NC. Messer A. Vestal’s real estate was valued at $1700.

[63] Deed Book B:340, Yadkin County Register of Deeds Office, Yadkinville, NC. Martin was a Huntsville merchant who, before bankrupting himself in 1876, purchased at least twenty Huntsville lots in the 1850s. On the court’s order, most were sold to him at auction by the county sheriff to recover unpaid taxes. On 18 April 1876, L. G. Hunt was the highest bidder for Huntsville lots 15 and 16 at a bankruptcy sale held at the home of Thomas S. Martin. Hunt transferred his bid to Allen Chapman, who purchased these two lots. Deed Book E:171-172, Yadkin County Register of Deeds Office, Yadkinville, NC.

[64] Deed of Trust, Book A:41, Yadkin County Register of Deeds Office, Yadkinville, NC. In addition to the creditors who initiated the sale of his land, Messer Amos Vestal was indebted separately to George C. Mendenhall and his wife, Delphina. Other people to whom he was indebted included Washington Brewbaker, Jesse Vestal, Allen Chapman, Caswell M. Vestal, Thomas S. Martin, and George W. Johnson, a Farmington store owner. Deed of Trust, Book A:41-42, Yadkin County Register of Deeds Office, Yadkinville, NC.

[65] Deed Book G:62, Yadkin County Register of Deeds Office, Yadkinville, NC. In 1860, Bitting owned real estate valued at $11,140 and sixty-nine enslaved persons valued at $105,445 (the equivalent of more than $4 million in 2025). 1860 US Federal Census Slave Schedules, Yadkin County, NC.

[66] Deed Book T:137-138, Surry County Register of Deeds Office, Dobson, NC. On 23 May 1827, Moses Ritchie acquired two tracts of land from Samuel Speer. The first was located to the  south of Huntsville on Turners Creek and contained 154 ½ acres, and the second tract was on Elrods Creek, a tributary of Turners Creek, and encompassed twenty-three acres.

[67] Deed Book 3:180-181, Surry County Register of Deeds Office, Yadkinville, NC.

[68] Deed of Trust, Book A:41, Yadkin County Register of Deeds Office, Yadkinville, NC.

[69] Pugh and Minnock-Pugh, “The Quaker Ceramic Tradition,” 96.

[70] John B. Crenshaw Papers, Tilghman Vestal Documents, J32, Quaker Archives, Guilford College. Online https://library.guilford.edu/ms235 (accessed 9 June 2025).

[71] John B. Crenshaw Papers, Tilghman Vestal Documents, J21, Quaker Archives, Guilford College. Online https://library.guilford.edu/ms235 (accessed 9 June 2025). For a more detailed account of the trials of Tilghman Vestal, see Pugh and Minnock-Pugh, Ceramics in America 2010, 67-105.

[72] 1870 US Federal Census, Maury County, TN.

[73] 1870 US Federal Census, Township 7, Lauderdale County, MS.

[74] 1880 US Federal Census, Lauderdale County, MS.

[75] 1880 US Federal Census, Lauderdale County, MS. Tilman was not always listed as a potter in census records. In the 1850 census in Anson County, NC, he was called a machinist, and in the 1860 census in Marshall County, MS, he was listed as a farmer.

[76] Marriage bond, Joshua Barker to Elisabeth Vestal, 25 July 1811, Randolph County, NC, North Carolina Marriage Records, 1741-2011, 13. Online: https://www.ancestry.com/search/collections/60548/records/3546367 (accessed 13 June 2025).

[77] Pugh and Minnock-Pugh, “The Quaker Ceramic Tradition,” 94.

[78] Harvey and Wells, Surry County, North Carolina, Court Minutes 1824-1828, VIII, 176.

[79] 1880 US Federal Census, District 18, Maury County, Tennessee.

[80] 1880 US Federal Census, District 18, Maury County, Tennessee.

[81] Richard Dolan, “Vestal Family Genealogy.” Online: https://www.genealogy.com/forum/surnames/topics/vestal/696/ (accessed 25 July 2025); “John Asa Vestal.” Online: https://www.ancestry.com/family-tree/person/tree/87509493/person/36556437974/facts (accessed 25 July 2025).

[82] Marriage bond, John Vestal to Elizabeth Johnson, 16 August 1837, Chatham County, NC, North Carolina Marriage Records, 1741-2011. Online: https://www.ancestry.com/search/collections/60548/records/1724416 (accessed 25 July 2025). In 1850, John A. Vestal is called a potter in the US census. He is thirty-three; his wife Elizabeth is thirty-nine. Unsubstantiated claims have been made by pottery collectors that he married Elizabeth Fox, the daughter of potter Himer Fox, and that Fox taught him the pottery trade. The same census shows twenty-four-year-old Himer Fox living with his father, potter Nicholas Fox (called a farmer in the enumeration). While it is not likely that John married into the Fox family, it seems possible that a Fox was Vestal’s mentor – perhaps Nicholas or his father Jacob. North Carolina marriage records suggest that Vestal was married to Elizabeth Johnson, not Elizabeth Fox.

[83] Charles G. Zug III, Turners and Burners: The Folk Potters if North Carolina (Chapel Hill: UNC Press, 1986), 436.

[84] Appreciation to David Alan Jones for information leading to William Welch’s identity as a North Carolina-trained potter.

[85] Kate Todd Thomas, “Diary of William Welch;” “William McQueen Welch,” Online: https://ancestors.familysearch.org/LCVG-NYG/William-mcqueen-welch-1800-1881 (accessed 13 May 2021).

[86] Kate Todd Thomas, “Diary of William Welch.”

[87] Marriage bond, William Welch to Elizabeth Judd, 29 May 1823, Wilkes County, NC, North Carolina, U.S., Marriage Records, 1741-2011. Online: https://www.ancestry.com/search/collections/60548/records/4031889 (accessed 9 June 2025).

[88] Kate Todd Thomas, “Diary of William Welch.”

[89] Kate Tood Thomas, “Diary of William Welch.”

[90] Kate Todd Thomas, “Diary of William Welch.”

[91] Linda Stoltz and Norma Brooks, “Ghost Pots of Marion County, The Annals of Iowa 38 (1966): 336.

[92] The name is sometimes spelled Wooten following the family’s move from North Carolina to Virginia.

[93] Marriage record, Jehu Wooton to Frances, 1820, US and International Marriage Records, 1560-1900. Online: https://www.ancestry.com/search/collections/7836/records/1361303 (accessed 27 July 2025); “Carole Wahler Antiques,” Online: http://www.cwahlerantiques.com/info/pottery/wootenpotters-new.html (accessed 11 June 2025).

[94] Marriage record, “John Wooten to Mary Jane Harris,” 7 March 1865, Washington County, Virginia, Virginia Marriages, 1853-1935. Online: https://www.ancestry.com/search/collections/62154/records/426928 (accessed 28 July 2025). A descendant of John Wooton named Edwin Wooten retrieved this information from a copy of this marriage record.

[95] 1810 US Federal Census, Surry County, NC.

[96] 1830 US Federal Census, Surry County, NC; 1850 US Census, District 67, Washington County, VA.

[97] 1840 US Federal Census, Washington County, VA. In the 1840 census, the category “employed in manufactures and trades” may indicate work in a pottery-related trade when corroborated by other documentary or physical evidence that identify the individual’s occupation as a potter.

[98] 1850 US Federal Census, District 67, Washington County, VA.

[99] Marriage record, James I. Wooten to Charity Ann Harris, 22 July 1847, Washington County, Virginia, Virginia, Select Marriages, 1785-1940, 500. Online: https://www.ancestry.com/search/collections/60214/records/2352457 (accessed 13 June 2025).

[100] 1880 US Federal Census, Washington County, VA.

[101] In other accounts, Jehu Raymond Wooton has erroneously been listed as John Raymond. The name is written “Jehu” in the 1880 US Federal Census for Washington County, Virginia. In the 1860 US Federal Census, eight-year-old Jehu Wooten is found listed with his parents, James and Charity, and brothers John, James, Melville, and sisters Frances and Mary. He is listed as J. R. Wooten in the 1920 US Federal Census for Fremont, Iowa, where his occupation is listed as a potter. Carole Wahler, Carole Wahler Antiques, “Additions and Corrections to Wooten Pottery,” Online: www.cwahlerantiques.com/info/pottery/wootenpotters-new.html (accessed 16 April 2025).

[102] 1880 US Federal Census, Abingdon, Washington County, Virginia; Klell Bayne Napps, “Traditional Pottery in Washington County, Virginia and Sullivan County, Tennessee,” The Historical Society of Washington County, Va., Series II, nos. 10/11 (Abingdon, VA: Historical Society of Washington County, Virginia, September 1973), 3-16. Napps mistakenly credits James Alexander Wooton for the establishment of Washington County, Virginia’s Wooton Pottery.

[103] Craftsman File for Josephus J. Wooten, Blue Ridge Institute and Museum.

[104] 1880 US Federal Census, Abingdon, Washington County, VA.

[105] 1920 US Federal Census, Hamburg, Fremont, IA.

[106] Marriage record, Alexander M. Harris to Nancy Ann Vestal, 20 March 1850, Washington County, Virginia, Virginia Select Marriages, 1785-1940, 203. Online: https://www.ancestry.com/search/collections/60214/records/1437465 (accessed 13 June 2025); “Vestal Family File,” Washington County, Virginia, Historical Society. The 1840 US Federal Census for Washington County, Virginia, lists one person employed in manufactures and trades in the household headed by Jay Vestal. James Vestal (age 70-80) and James T. Vestal (age 30-40) resided nearby.

[107] “Check List of Potters Along the Great Road in Virginia and Tennessee, 1776-1880.” Online:   https://blueridgeinstitute.org/exhibits/earthenware-potters-along-the-great-road-in-virginia-and-tennessee/ (accessed 11 June 2025); “Vestal Family File,” Washington County, Virginia, Historical Society. The 1840 U.S. Federal Census for Washington County, Virginia, lists one person employed in manufactures and trades in the household headed by Jay Vestal. James Vestal (age 70-80) and James T. Vestal (age 30-40) resided nearby.

[108] 1860 US Federal Census, Western District, Washington County, VA.

[109] David Moffatt Furches, “Masonic Picnic Address,” August 1901, Martin Collection, Davie County Public Library, Mocksville, NC.

[110] McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[111] Ferry H. Gettys, James family genealogical research papers, 4-A, Davie County Public Library, Mocksville, NC.

[112] Ferry H. Gettys, letter to Mr. C. M. Mallette of Houston, TX, 18 January 1978, Davie County Public Library, Mocksville, NC.

[113] 1820 US Federal Census, Capt. J. Poindexters District, Surry County, NC.

[114] Ferry H. Gettys, James family genealogical research papers, 2-A, Davie County Public Library, Mocksville, NC.

[115] 1840 US Federal Census, Davie County, NC.

[116] William Alexander James (b. ca. 1819 – d. aft. 1880) married Mary Sizemore before 1840. Mary Jane Horn is identified as the daughter of William A. James and Mary Sizemore, both born in Surry (Yadkin) County, NC.

[117] “Unique Chapel Period—Friday,” Twin City Sentinel, Winston-Salem, NC, 18 March 1927, McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[118] 1840 US Federal Census, Surry County, NC.

[119] 1870 US Federal Census, Farmington, Davie County, NC; 1880 US Federal Census, Farmington, Davie County, NC. By calling himself a huckster, William James suggests that he had become a traveling seller of goods. It is not known if Julius James made pottery.

[120]1870 US Federal Census, Liberty Township, Yadkin County, NC; 1880 US Federal Census, Liberty Township, Yadkin County, NC. John Henry James remained in Davie County between the years 1910 and 1920. In 1920, he and his wife, Jennie, lived with their son, John S. James, in York, South Carolina. 1920 US Federal Census, Yorkville Town, District 120, York County, SC. He died in 1921 in Winston-Salem, North Carolina, and was buried in Yadkinville, North Carolina. Death certificate for John Henry James, 3 December 1921, North Carolina, US, Deaths, 1906-1930. Online: https://www.ancestry.com/search/collections/60090/records/1378455 (accessed 9 June 2025). Cornell James, the youngest son of William Alexander James, was listed a as Davie County house carpenter in 1880. 1880 US Federal Census, Farmington, Davie County, NC.

[121] “Potter Bill,” McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[122] Personal conversation with Bertice Smith, 11 May 1995; Virginia Gunn Fick, “Box Suppers,” in Encyclopedia of North Carolina, William S. Powell, ed. (Chapel Hill: The University of North Carolina Press, 2006), 143. Box suppers were a popular social event in North Carolina, serving as fundraisers for schools and churches, and often provided courting opportunities for local young people.

[123] McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[124] Elizabeth G. Williard, Handwritten note entered into the McCubbins Historical Collection at her request, 3 March 1977, McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[125] “Unique Chapel Period—Friday,” Twin City Sentinel, Winston-Salem, NC, 18 March 1927, McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[126] Personal conversation with Bertice Smith, 11 May 1995. Others who personally conveyed their belief that James was a Moravian potter include antique dealers and pottery collectors. None ever offered evidence to support the claim.

[127] For a  study of other North Carolina stub-stemmed pipe production sites, see Linda Carnes-McNaughton, “The Prevalence of Press-Molded Stub-Stemmed Pipes from the North Carolina Piedmont,” North Carolina Archaeology 71 (2022): 164-186.

[128] Phone interview with Richard Brock, 11 May 1995; “Potter Bill,” McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC. In addition to pottery-making, Bill James ran a tobacco factory and a store. The 1900 US Census lists a female tobacco worker, Luna Houser, in the James household.1900 US Federal Census, Farmington, Davie County, NC. As many as twelve general stores were in Farmington over the years and at least eight tobacco factories were located in the village. It was a time when some plug tobacco was being secreted to South Carolina for sale to avoid North Carolina’s taxes.

[129] Personal conversation with J. D. Furches, 11 May 1995.

[130] Personal conversation with Ed Johnson, 11 May 1995.

[131] Personal conversation with Ed Johnson, 11 May 1995.

[132] See Linda F. Carnes-McNaughton, “North Carolina’s Redware Kilns and the Art of Burning Clay,” North Carolina Archaeology (Raleigh: The North Carolina Archaeological Society, Inc.; Chapel Hill: The Research Laboratory of Archaeology, October 2011): 1-52.

[133] Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 1, 119.

[134] Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 1, 122.

[135] Personal conversation with Wilburn Spillman, 11 May 1995.

[136] Charles G. Zug III, Turners and Burners, 84, 100, 118. Zug describes how potters in the Catawba Valley shared clay sources.

[137] Personal conversation with Wilburn Spillman, 11 May 1995.

[138] Alonzo Langley (1912-1984) was the son of Mattie Langley, and the great-grandson of potter Jacob Brewbaker Jr. Sue Royall, personal correspondence, April 2015.

[139] Some pottery produced in North Carolina during a period of transition from utilitarian to art pottery production has handles attached to, or just below vessel rims. This trait is inconsistently followed during this period (1920s-1940s), whereas the upper terminals of handles on earthenware pottery made by William F. James, and perhaps family members who preceded him, are regularly attached horizontally to the vessel’s rim.

[140] Personal conversation with Margaret Brock, 11 May 1995.

[141] Charles G. Zug III, Turners and Burners, 18, 324.

[142] This example of W. F. James ware was shown to the author by the late Leonidas Betts.

[143] “Unique Chapel Period—Friday,” Twin City Sentinel, Winston-Salem, NC, 18 March 1927, McCubbins Historical Collection, Rowan County Public Library, Salisbury, NC.

[144] Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 2 693.

[145] Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 2, 693.

[146]Granville Proprietary Deeds and Surveys, 107. Planter Duncan Bohannon received a Granville grant on 21 August 1759. Located in Orange County, the 695-acre tract was located on the south side of Deep River just above the mouth of Rocky River.

[147] Marriage record, John Bohannon to Sarah Cassady, 19 November 1781, Surry County, NC, North Carolina, U.S., Marriage Index, 1741-2004. Online: https://www.ancestry.com/search/collections/8909/records/2692188 (accessed 28 July 2025).

[148] Marriage record, Neal Bohannon to Ann Hadley, 14 December 1805, Surry County, NC, North Carolina, U.S., Marriage Index, 1741-2004. Online: https://www.ancestry.com/search/collections/8909/records/2692196 (accessed 28 July 2025). Neal and Anna Hadley Bohannon were married in Surry County on 14 December 1805. Following Anna’s death, Neal Bohannon married Dinah Marshall in Surry County on 8 March 1830. 1830 US Federal Census, Surry County, NC. Neal’s father died when he was only about three years old. As an orphan, Neal Bohannon could have been apprenticed to a potter as an adolescent, becoming the first Bohannon to learn the trade. However, no evidence has been found to support this notion. Neal Bohannon was last found in Surry County’s 1830 US Census when Simon Bohannon appeared as a head of household for the first time.

[149] 1830 US Federal Census, Surry County, NC. Marriage record, Simon Bohannon to Edy Greer, 29 September 1829, Surry County, NC, North Carolina, U.S., Marriage Index, 1741-2004. Online: https://www.ancestry.com/search/collections/60548/records/5764983 (accessed 28 August 2025).

[150] Surry County Court Records, State Archives of North Carolina.

[151] 1840 US Federal Census, Surry County, NC.

[152] 1850 US Federal Census, South Division, Surry County, NC.

[153] 1860 US Federal Census, District 12, Greene County, TN.

[154] This account was given to Andrea Susong Daniels by her mother, Ruth Bohannon Susong, the daughter of Simon John Pleasant Bohannon and Della Bird Smith.

[155] Marriage record, Rufus Lucky to Mary C Bohannon, 1 April 1854, Greene County, TN, Tennessee, US, Marriage Records, 178-2002. Online: https://www.ancestry.com/search/collections/1169/records/5519836 (accessed 10 June 2025).

 [156] Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol 2, 815; 1850 Federal Census, Greene County, TN. Rufus and Mary Lucky are buried in Greene County’s Mount Bethel Church cemetery.

[157] Carole Wahler Antiques, “Haun Pottery.” Online: http://www.cwahlerantiques.com/info/pottery/haunpottery.html (accessed 10 June 2025). Haun was one of five Union sympathizers hanged by Confederates after a Lick Creek railroad bridge was burned by them in 1861.

[158] 1870 US Federal Census, Greene County, TN.

[159] 1880 US Federal Census, District 12, Greene County, TN.

[160] Death Certificate of Martha J. Bohannon, 10 May 1916, Greene County, TN. Online: https://www.ancestry.com/search/collections/2376/records/193365 (accessed 28 July 2025); Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 2, 724; Andrea Susong Daniels, personal correspondence, 2 March 2015. Sparling Harmon was Peter Harmon’s son. Peter Harmon may have been a potter, although someone else may have operated an earthenware pottery site on his property. The birthplace home of Martha Jane Harmon was built not far from Mt. Vernon United Methodist Church and cemetery, where Bohannon and Harmon family members are buried. A visit to the homeplace site in 2011 revealed lead-glazed earthenware sherds lying on the surface, a few hundred feet away from the house. The property’s owner at the time stated that in one area nearby, sherds are so densely packed into the soil that corn will not grow there. The Peter Harmon house was destroyed by fire in the winter of 2014-2015.

[161] 1800 US Federal Census, Salisbury, Surry County, NC. In Joseph Bird’s 1832 will, he lists his wife Ann Bird, his son William C. Bird, and daughters Sarah Dalton and Nancy Cornell. He also mentions his grandchildren Joseph Bird and Juliana Dalton. Wills, Vol 4, 1827-1853, Surry County, NC, 44a-45a. Online: https://www.ancestry.com/search/collections/9061/records/2054299 (accessed 19 October 2025). 1850 US census records in Dallas County, Arkansas, list his birthplace as “Md,” but the 1870 census in Yadkin County, NC, lists his birthplace as “NC.”

[162] “War of 1812 Pension Application Files, William C. Bird,” War of 1812 Pension Files, National Archives Microfilm Publication M313, Records of the Department of Veterans Affairs, Record Group 15 (Washington, D.C.: National Archives). Online: https://www.fold3.com/file/293280116 (accessed 19 October 2025).

[163] “Estate Records of Jonathan Dalton, 1820,” North Carolina, U.S., Wills and Probate Records, 1665–1998. Surry County, North Carolina. Online:   https://www.ancestry.com/search/collections/9061/records/1503721 (accessed 19 October 2025); Western Carolinian, Salisbury, 21 April 1829.

[164] North Carolina Star, Raleigh, 8 May 1828. In February 1829, William placed a notice in the local papers stating he would not be responsible for any of his wife’s Rebecca’s debts as she had “left my bed and board, from a cause which precludes the possibility of a return.” Western Carolinian, Salisbury, 24 February 1829. By September, William was convicted of manslaughter of a man named McCollum who had seduced his wife. North Carolina Free Press, Halifax, 2 October 1829. Divorce proceedings filed by William C. Bird against his wife, Rebecca B. Bird, in 1832–1833, outline the circumstances surrounding the couple’s separation and estrangement, including depositions describing her relationship with a man named Andrew McCollum. Divorce Proceedings, “William C. Bird v. Rebecca B. Bird, 1832–1833,” Surry County, NC, Superior Court of Law and Equity, Divorce Records, 1827–1891. Online: https://www.familysearch.org/ark:/61903/3:1:3Q9M-C3QC-V9X8-S?cat=koha%3A1161215&i=133&lang=en (accessed 24 October 2025).

[165] “The State vs. William C. Bird,” Clerk of Superior Court Minute Docket, 1824-1849, Surry County, NC, Image 326. Online: https://www.familysearch.org/ark:/61903/3:1:3Q9M-CSRB-B34P-N?lang=en&i=325 (accessed 19 October 2925).

[166] Surry County Court Records, State Archives of North Carolina.

[167] Wills, Vol 4, 1827-1853, Surry County, NC, 44a-45a. Online: https://www.ancestry.com/search/collections/9061/records/2054299 (accessed 19 October 2025).

[168] Hardeman County, TN, 1836, Early Tax Lists of Tennessee, 1783-1895. Online: https://www.ancestry.com/search/collections/2883/records/229238 (accessed 28 July 2025); Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 2, 479-481, 577-579. In 1836 tax list for Hardeman County, William C. Bird was taxed for 192 acres of land and two enslaved individuals. The deed for the 192 acres of land was not recorded in court until 1838, even though Bird was already occupying the land as early as 1836. Deed Book E: 629-630, Hardeman County Deed, Hardeman County, Tennessee.

[169] 1850 US Federal Census, Smith, Dallas County, AR. William’s son James lived in his household and worked as a laborer. Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol 2, 578-579.

[170] In his War of 1812 pension file, William C. Bird stated that he received bounty land in Arkansas in 1852 or 1853, and a few years later in 1859, he was issued a federal land patent for 160 acres in Dallas County, Arkansas. “War of 1812 Pension Application Files, William C. Bird”; “William C. Bird,” Dallas County, AR, General Land Office Records, 1776-2015. Online:  https://www.ancestry.com/search/collections/1246/records/2276457 (accessed 19 October 2025). It is not clear if the 1859 patent is related to his bounty land warrant, since he paid $20 for the 160 acres of land. Tract Book, Volume ID 1031, page 89. Bureau of Land Management. General Land Office Records. Online: https://glorecords.blm.gov/details/tractbook/default.aspx?volumeID=1031&imageID=0091&sid=g4mhp1o1.4za#tractBookDetailsTabIndex=1 (accessed 20 October 2025); 1870 US Federal Census, Forbush, Yadkin County, NC. His whereabouts between 1859 to 1870 are currently unknown. In an 1874 deposition taken in Surry County, he stated that he had been crippled in 1862, though the location where this occurred remains unknown. “Deposition of William C. Bird in the petition of William Wesley Long,” 18 May 1874, Huntsville, Yadkin County, North Carolina, Barred and Disallowed Case Files of the Southern Claims Commission, 1871-1880. Online: https://www.ancestry.com/search/collections/1218/records/119167 (accessed 19 October 2025).

[171] “War of 1812 Pension Application Files, William C. Bird.”

[172] The Weekly Sentinel, Raleigh, NC, 11 March 1876. His War of 1812 Pension file lists his death date as 3 February 1876. “War of 1812 Pension Application Files, William C. Bird.”

[173] 1850 US Federal Census, South Division, Surry County, NC.

[174] Benjamin Naylor is listed in the 1810 US Census for Albemarle County and in a Surry County tax list from 1812, suggesting that the family moved to North Carolina between 1810 and 1812, soon after Thomas was born. 1810 US Federal Census, Albemarle County, VA; Tax List, 1812, Surry County, NC, State Archives of North Carolina. After settling in Surry County, Benjamin Naylor acquired at least twelve properties. Deeds: Benjamin Naylor to: William Austin (Deed Book M:324); Bailey Sawyer (Deed Book M:522); Peter Eaton (Deed Book N:454); William Stockton & wife (Deed Book O:168); James Eaton (Deed Book O:164; O:166); T. R. Ashby (Deed Book O:303); James Parks (Deed Book S:54); Nias Grey (Deed Book W:153); Mills Joyner (Deed Book X:225; X:235); B. W. Naylor (Deed Book Z:465), Surry County Register of Deeds Office, Dobson, NC. Benjamin and Mary Rhodes Naylor ensured that their sons would become skilled tradesmen. In 1850, in addition to potter Thomas B. Naylor, their children included John W., a tailor; Wesley W., a physician; Irvin E., a miller; and Joseph R., a farmer. All five men resided near one another in Surry County. 1850 US Federal Census, South Division, Surry County, NC.

[175] Elaine McKinley, Surry County, North Carolina, Marriage Bonds and Abstracts 1780-1868: 120.

[176] 1860 US Federal Census, Washington Township, Poweshiek County, IA.

[177] Bartholomew Vestal, son of Isaac Vestal and grandson of James Vestal Sr., also moved from Surry County to Poweshiek County, Iowa. Bartholomew Vestal was an ironmaster in Surry County in 1850.

[178] 1850 US Federal Census, South Division, Surry County, NC.

[179] Jacob Brewbaker Jr. was born in South Carolina around 1803, and Jacob Brewbaker Sr. is listed in Surry County’s 1810 US Federal Census.

[180] 1830 US Federal Census, Surry County, NC. Other Brewbaker family history in Surry County includes blacksmith Isaac Brewbaker who purchased Huntsville lots 34 and 46 in 1818 from Benjamin Eaton, the executor for Peter Eaton’s estate. Lot 34 faced High Street and was located about 900 feet north of potter Silas Vestal’s lot 15, purchased the same year. Lot 46 adjoined the western boundary of lot 34, creating a rectangular lot containing about one acre of land. Isaac Brewbaker may have purchased Huntsville lots 9 and 15 from potter Silas Vestal before Vestal departed for Greene County, Tennessee. An 1828 deed of trust was made out from Isaac Brewbaker to Peter Clingman, Davis Durett, and Livingston Isbell to secure a “considerable amount” owed “to the Cape Fear Bank of Salem, North Carolina.” Property described in this document includes “two lotts in the town of Huntsville, Surry County, which the said Brubaker purchased of Silas Vestal together with sixteen acres of land purchased of said Vestal adjoining the lands of Peter Clingman and others.” Isaac Brewbaker’s troubles with indebtedness did not end in 1828. In 1835, Brewbaker and Francis P. Clingman wrote a deed of trust to satisfy his indebtedness to John Conrad. This transaction’s securities included those of Silas Vestal’s brothers, Asa and Messer (misspelled Moses in the document) Amos Vestal. Property described in this document comprises “one Lott in the Town of Huntsville containing one half acre where his blacksmith shop now stands Adjoining Emanuel Shober No of said Lott not recollected.” Shober was a Salem resident who owned a paper mill there, making it likely that his ownership of a Huntsville town lot was a speculative purchase for investment. Possible evidence of a stone and brick constructed forge remains today near the site of Huntsville lots 13-15. In 1850, Jacob Brewbaker lived near the sixty-one-year-old blacksmith Isaac Brewbaker. Deed of Trust, Isaac Brewbaker to Peter Clingman, Davis Durett, and Livingston Isbell, 17 December 1828, Book T:428, Surry County Register of Deeds Office, Dobbins, NC; Deed of Trust, Isaac Brewbaker and Frances P. Clingman to John Conrad, 11 July 1835, Book V:190, Surry County Register of Deeds Office, Surry County, NC; 1850 US Federal Census, Surry County, NC. All nearby Brewbakers listed in the 1850 Census for Surry County were born in South Carolina.

[181] Elaine McKinley, Surry County, North Carolina, Marriage Bonds and Abstracts 1780-1868: 20. Moses Ritchie’s name is spelled “Moses Rich” in this document.

[182] 1840 US Federal Census, Yadkin County, NC.

[183] 1850 US Federal Census, Yadkin County, NC.

[184] 1860 US Federal Census, Yadkin County, NC.

[185] 1870 and 1880 US Federal Census records, Forbush, Yadkin County, NC.

[186] Gravestone for Jacob Brewbaker, Mount Sinai Church Cemetery, Forbush, Yadkin County, NC. Online: https://www.findagrave.com/memorial/76003515/jacob-brewbaker (accessed 10 June 2025).

[187] 1830 US Federal Census, Surry County, NC; Deed Book I:508, Surry County Register of Deeds Office, Dobson, NC. In 1802, an older Surry County resident named Erasmus Hill purchased seventy-three acres on the waters of Elrod’s Creek from James Donnelly.

[188] 1830 US Federal Census, Surry County, NC.

[189] 1840 US Federal Census, Surry County, NC.

[190] 1850 US Federal Census, South Division, Surry County, NC.

[191] The Peoples Press, Salem, North Carolina, 8 November 1851, State Archives of North Carolina. Since potter Erasmus Hill was said to be 45 years of age in the 1850 US Census, it cannot be said with certainty that this is the same person. But the likelihood is supported by the fact that in 1860, Erasmus Hill’s widow, Sarah Hill, lived in the Farmington community of Davie County (not far below Huntsville and the Yadkin County line), along with three daughters and one son, just a few households away from potter William Alexander James. Nancy James, the widowed mother of William Alexander James, lived nearby.

[192] Marriage record, Susan Hill to Washington Brewbaker, 11 September 1853, North Carolina, U.S., Marriage Records, 1741-2011. Online: https://www.ancestry.com/search/collections/60548/records/1166647 (accessed 11 June 2025).

[193] “State v. Richie,” 19 N.C. 29 (N.C. 1836), Supreme Court of North Carolina (1 December 1836), Online: Casetext.com/case/state-v-ritchie-27.

[194] “State v. Richie,” Online: Casetext.com/case/state-v-ritchie-27.

[195] Acts Passed by the General Assembly of the State of North Carolina, 1830-1831 (Raleigh, NC: Lawrence & LeMay, Printers to the State, 1831), Chapter 10, 14-15. Online: https://digital.ncdcr.gov/Documents/Detail/acts-passed-by-the-general-assembly-of-the-state-of-north-carolina-1830-1831/1955764?item=2080480 (accessed 28 August 2025)/

[196] 1840, US Federal Census, Cabarrus County, NC; 1850, US Federal Census, Cabarrus County, NC; 1860, US Federal Census, Cabarrus County, NC.

[197] “Daniel Goodman,” Online: http://wc.rootsweb.ancestry.com.

[198] Charles G. Zug III, Turners and Burners, 85.

[199] Marriage record, Alexander Hill to Eleanor Ritchy, 24 January 1838, Cabarrus County, NC, North Carolina, US, Marriage Records, 1741-2011. Online:  https://www.ancestry.com/search/collections/60548/records/1098955 (accessed 29 July 2025); “Surry County Court, May Term, 1834,” Carolina Watchman, Salisbury, NC, 12 July 1834, 4; North Carolina, U.S., Wills and Probate Records, 1665-1998, Image 1067, Online: https://www.ancestry.com/search/collections/9061/records/1547706 (accessed 11 June 2025).

Other family connections for Alexander Hill are less clear. An 1834 Surry County Court advertisement calling for Alexander Hill, an heir at law of Leonard Hill, to appear in court to settle Leonard Hill’s estate states that he was not an inhabitant of North Carolina then. Zephaniah Hill is listed as an heir at law of Leonard Hill. A Hill family account suggests that Zephaniah and Erasmus Hill were half-brothers. Following Leonard Hill’s death on 4 November 1830, Moses Ritchie was appointed executor for his estate.

[200] Baptisms, 1797-1799, 1812-1850, St. John’s Lutheran Church, Concord, Cabarrus County, NC, Image 7. Online: https://www.familysearch.org/ark:/61903/3:1:3Q9M-CSKJ-2478-4 (accessed 10 June 2025).

[201] “Paul Richie,” Online: https://www.ancestry.com/search/collections/62476/records/6870268191

[202] See Charles G. Zug III, Turners and Burners, 87; Jason Harpe and Brian Dedmond, Valley Ablaze: Pottery Tradition in the Catawba Valley (Conover, NC: Goosepen Studio & Press, 2012), 25-26.

[203] Deed Book 2: 703-704, Mecklenburg County Register of Deeds Office, Charlotte, NC.

[204] Stephen C. Compton, “Research Note,” 149-150. Mull and Wenzel were members of the Organ Church.

[205] Stephen C. Compton, North Carolina’s Moravian Potters, 109. Beroth, who had left the Moravians’ Salem community in 1774, had established a pottery in Salisbury with his son Jacob. John Bivins Jr., The Moravian Potters in North Carolina, 57; Stephen C. Compton, North Carolina’s Moravian Potters, 107.

[206] For additional information about these and other Rowan County and Cabarrus County potters see: Stephen C. Compton, “Research Note,” 143-156.

[207] Marriage bond, Moses Ritchie to Susannah Hill, 15 November 1823, Surry County, NC, North Carolina, U.S., Marriage Records, 1741-2011, Online: https://www.ancestry.com/search/collections/60548/records/6899747 (accessed 11 June 2025).

[208] William Monroe Ritchie (1821-1828), Cemetery Census, Mount Sinai Cemetery, Yadkin County, NC, Online: www.cemeterycensus.com/nc/yadk/cem082.htm (accessed 29 June 2025); Henry Ritchie, 1850 US Federal Census, Catawba County, NC; Thomas Ritchie, 1850 US Federal Census, Lincoln County, NC; Joseph Ritchie, 1850 US Federal Census, Catawba County, NC; The 1832 date for the death of Susannah Hill Ritchie is found in a Ritchie family record for Moses Wiley Ritchie. Online: https://www.ancestry.com/family-tree/5343825/person/212120558246/facts?_phsrc=HKp3089&_phstart=successSource (accessed 13 May 2021).

[209] The Journal, Salisbury, NC, 26 November 1833.

[210] 1850 US Federal Census, District 7, Bedford County, TN.

[211] Deed Book T:136, 17 November 1826, Surry County Register of Deeds Office, Dobson, NC; Deed Book V:68, 22 August 1834, Surry County Register of Deeds Office, Dobson, NC. While mostly illegible, the 1826 deed from Samuel Speer to Moses Ritchie describes the purchase of Huntsville lots 6 and 7. Those lots were transferred a second time from Moses Ritchie to Thomas C. Davis as part of a deed that includes Huntsville lots 4, 6, 7, 20, and 23.

[212] Letter written by Mr. John Johnson, of Vale, N.C., 14 May 1928, Annals of Lincoln County, North Carolina (Charlotte, NC: Southern Stars Chapter, Daughters of the Confederacy, 1937): 444.

[213] 1860 US Federal Census, Catawba County, NC.

[214] See Stephen C. Compton, “John Wesley Carpenter (1842-1913): Tradition, Innovation, and Adaptation in the Post-Civil War South,” Ceramics in America (Milwaukee, WI: Chipstone Foundation, 2023), 50-89.

[215] 1850 US Federal Census, Lincoln County, NC; 1850 US Federal Census, Catawba County, NC.

[216] The Huntsville site, identified as 31YD211**, is registered with the North Carolina Office of State Archaeology/ Division of Archives and History.

[217] Author’s personal correspondence with private owner of the site where sherds were found, December 2011.

[218] Silas and his brother Messer Amos Vestal were potters and each owned Huntsville lots near this spot.

[219] Smith and Rogers, Tennessee Potteries, Pots, and Potters, vol. 1, 137.

[220] Linda F. Carnes-McNaughton, “North Carolina’s Redware Kilns and the Art of Burning Clay,” 8-9.

[221] Mocksville Enterprise Map of Davie County, North Carolina, by J. M. Furr, Jr., surveyor, Albemarle, N. C., 1936. State Archives of North Carolina, MC.033.1936f. The Davie County community called Jamestown gained its name from a concentration of James families living there. Its location, just south of the Yadkin County line, is shown on the Mocksville Enterprise Map of Davie County, North Carolina.

[222] John Bivins Jr., The Moravian Potters in North Carolina, 159.

[223] Appreciation to David James for this information.

[224] Johanna Brown, Chief Curator & Director of Collections, Research and Archaeology, generously searched for information regarding this chamberstick form and found no recorded information in the museum’s file relating it to Moravian potters.

[225] Robert Pearl, personal correspondence, 13 August 2024.

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